Posted in English, Portuguese

Chakras

After looking at that Da Weasel rap the other day, I thought maybe I’d try another so here we are. I returned to this video which I mentioned in passing a year or so ago. I thought the song was called Classe Crua, but Classe Crua is the name of the band, which is composed of Sam the Kid (he’s the white guy) and Beware Jack (tall hair). This song has a “feat” on it – with a guy called Chullage (woolly hat, big beard) (feat is short for “featuring”). Chullage is a form of Chulagem, the quality of being a Chulo: a pimp or a vulgar person.

It’s a challenging translation. It’s got crioula, french, english and street slang all the way through it, mixed together like a big old liguistic stew.

PortugueseEnglish
Marés Frias, vento Forte, balançam o meu suporte
Mas ganho equilíbrio na balança!
Já não escrevo só reporto fotografias no meu bloco
Imagens são a melhor referência
Bad feeling não me move
Só balança o meu suporte
O beat entra, o flow cospe
O beat entra, o flow cospe
O beat entra, o flow cospe
Cold seas, strong wind, shakes the ground I’m standing on
But I gain stability from the instability
I don’t write, I only report photographs of my block
Images are the best reference
Bad feeling doesn’t move me
Just shakes the ground I’m standing on
The beat enters, the flow spits
The beat enters, the flow spits
The beat enters, the flow spits
Velho mar, barcos novos, velhos jogos, novos modos
Velho passaporte, novo avião, nova escala
Velho mapa, novas rotas
Dou a volta ganho pernas como centopeias
Descansa, tenho o nirvana nas veias
Tiro-te as teimas, a cena é phat como Baleias
Palavras bem usadas são uma Uzi, uma arma
Calma, a nova expressão apaga o velho trauma
São chagas da nossa Aura, mágoas da nossa alma
Chakras do nosso karma
Não há vivalma
Que fique indiferente e se ficarem indiferentes
Dá-me tempo “deixa-me rir” como o Jorge Palma
O Sociólogo da nova escola, com a velha guarda
A criar modas por aí a fora
Com a velha fórmula na nova montra
Keep it real p’ra zona aos que trocam sprints por maratonas
Old sea, new boats, old games, new styles
Old passport, new plane, new scale
Old map, new routes
I go far a walk I get legs like centipedes
Chill, I have nirvana in my veins
I’ll take away your stubbornness, the scene is phat like whales
Well used words, I’m an uzi, a weapon
Calm down,the new expression wipes out the old trauma
They are wounds on our aura, injuries on our soul
Chakras of our karma
There’s no living soul
That will be indifferent, and if they’re indifferent
Give me time, “let me laugh” like Jorge Palma*
The sociologist of the new school with the old guard
Creating methods out there
With the old formula in the new shopfront
Keep it real in the sone for people who swap sprints for marathons
Marés Frias, vento Forte, balançam o meu suporte
Mas ganho equilíbrio na balança!
Já não escrevo só reporto fotografias no meu bloco
Imagens são a melhor referência
Bad feeling não me move
Só balança o meu suporte
O beat entra, o flow cospe
O beat entra, o flow cospe
O beat entra, o flow cospe
Cold seas, strong wind, shakes the ground I’m standing on
But I gain stability from the instability
I don’t write, I only report photographs of my block
Images are the best reference
Bad feeling doesn’t move me
Just shakes the ground I’m standing on
The beat enters, the flow spits
The beat enters, the flow spits
The beat enters, the flow spits
Beware!
I wanna be there
Onde toda a gente é gente, e o que é bom é freeware
Mas buéda** gente ’tá a ver magenta, a follow the líder
Buéda gente vive à tangente
A swallow o que houver
Nhãs*** brodas usam a cabeça só p’ra por new wear
E dizem-me “Chullage é uma new era” (Chulagi dja bu era)
Deixam links, fazem clicks
Bebem pink, fazem pics
E mandam comments
‘Pa que te piques e o views atinjam peaks
Na broda, been there
Coolest monkeys in da jungle
HM ou Pull And Bear
Broda couldn’t bear
Muita câmara
Muito filtro, muito share, muito flair
Tanto fait-divers****
Teresa May ou Tony Blair
Same old same old, nique sa mere*****
Novos governos, mesmo xaxos******
Novos alunos, as mesmas praxes
Novos beats, os mesmos baixos
Novos mc’s os memo chachos*******
Tudo a tentar o encaixe
Mas já nada sai da caixa
Tudo tão aprumado que parece tudo
Tão saído do terceiro Reich
Versos controversos
‘Pa poder dar nas views
Essa medalha tem reverso
Tudo o mesmo point of view
Buéda flow mas não é diverso
Trágico como em Lampedusa
Brodas acabam imersos
Há uma festa no terraço
Duma casa sem alicerces
Fuck’em
Fecho a matraca********
E alinho os chakras
Escrevo linhas sacras
Cansado de tantos wankers
Galinhas e bácoras
Meu pensamento entra no train
A curtir Coltrane
E mando rimas só por treino
Giants steps
A love supreme
Estou fora do frame
Ponho os fones, subo o gain, expulso o pain
E mando um grito
Tenho buéda fantasmas e por eles não tenho escrito
Tens buéda fantasmas daqueles que te têm escrito
Estás tipo Mc’Donalds
Já vens da América feito
Aqui só foste frito
Digo o que sinto
Novo ou proscrito
E não preciso de ser seguido nem subscrito
Já não rappo
Só vomito
Nunca omito
Meu commitment
Quando debito
Foda-se Sam granda beat
Foda-se Beware obrigado pelo convite!
Beware
I wanna be there
Where everybody is us and what’s good is freeware
But a lot of people are seeing magenta to follow the leader
A lot of people live at a tangent
And swallow whatever there is
And the brothers only use their heads to put on new wear
And they tell me, “Chullage, it’s a new era” (Chulagi dja bu era)
They post links, they make clicks
They drink pink, they take pics
Why do you bite, and your views hit peaks
No brother, been there
Coolest monkey in the jungle
H+M or Pull and Bear
Brother couldn’t bear
Lots of camera
Lots of filters, lots of shares, lots of flair
Lots of other stuff
Teresa May and Tony Blair
Same old same old. fuck their mother
New governments, same assholes
New students, same hazing rituals
New bears, same baselines
New MCs, same guys
Everything trying to fit in
But now nothing gets outside the box
Everything is so polished it all seems
To have come from the Third Reich
Controversial verses
To be able to get views
This medal has another side
All from the same point of view
Lots of flow, but it isn’t diverse
Tragic like in Lampedusa
Brothers end up immersed
There’s a party on the terrace
Of a house with no foundations
Fuck ’em
I’m shutting my mouth
And aligning my chakras
I write sacred lines
Tired of so many wankers
Chickens and piglets
My thought gets on the train
Enjoying Coltrane
And rap some rhymes just for practice
Giant Steps
A Love Supreme
I’m outside the frame
I put on my headphones, turn up the gain, expel the pain
And I let out a scream
I have so many ghosts and because of them, I haven’t written
You have so many ghosts the kind that write you
You’re like McDonalds
You came from America, ready made
You were fried here
I say what I feel
New or forbidden
And I don’t need to be followed or subscribed
I don’t rap
I just vomit
I don’t omit
Mu commitment
When I debit
Fuck it, Sam, great beat
Fuck it, Beware, thanks for the invitation
[Refrão: Beware Jack]
Marés Frias, vento Forte, balançam o meu suporte
Mas ganho equilíbrio na balança!
Já não escrevo só reporto fotografias no meu bloco
Imagens são a melhor referência
Bad feeling não me move
Só balança o meu suporte
O beat entra, o flow cospe
O beat entra, o flow cospe
O beat entra, o flow cospe
[Refrain by Beware jack]
Cold seas, strong wind, shakes the ground I’m standing on
But I gain stability from the instability
I don’t write, I only report photographs of my block
Images are the best reference
Bad feeling doesn’t move me
Just shakes the ground I’m standing on
The beat enters, the flow spits
The beat enters, the flow spits
The beat enters, the flow spits

* Reference to this song

** Lots of english in this verb, but lots of slang too. Buéda gente seems to be “bué da gente. Bué is slang derived from africa. I think it’s maybe not that new. I think bué fixe (“very cool” dates back a while, but bué is generally a reinforcer so it indicates a lot of something or very much something

***Crioulo Cabo Verdiano – short for minhas/meus

**** Dammit, this is french!!!

***** Dammit, so is this!

******Not sure abot this one but basing it on this.

********Seems to be short for the spanish word “muchachos”

********This word can have a lot of meanings. I’m assuming he’s talking about his mouth since none of the other options make much sense.

Posted in Portuguese

Rabo de Peixe

Rabo de Peixe é uma série da Netflix cujo enredo se desenrola nos Açores. Os protagonistas são açorianos jovens, pescadores e empregados dum videoclube. Todos têm os seus próprios desafios na vida: por exemplo, o pai do protagonista é cego, o da amiga dele é um bandido. Sonham com* melhorarem a vida ou escaparem-se da ilha.

Rabo de Peixe
Rabo de Peixe (aka “Turn of the Tide”)

As vidas deles mudam por completo quando um barco se afunda perto da ilha, espalhando caixas de cocaína, embrulhadas em plástico, ao longo das praias. Em breve, toda a gente tem a sua parte da carga. Padres, médicos, velhas, todos andam com pó em volta das narinas. Os protagonistas que sabem navegar põem-se a recolher as caixas restantes de vários esconderijos inacessíveis entre as rochas a beira-mar.

Nos dias seguintes, um grupo de polícias chega de Lisboa para trabalhar lado a lado com as forças da região autónoma, mas também chega um membro da máfia italiana, dono da droga, que quer recuperar a cocaína perdida.

É uma das séries mais bem realizadas que já vi em português. A cinematografia é incrível e os atores, incluindo o comediante Salvador Martinha, protagonizam os seus papéis muito bem. Existem vários buracos no enredo, mas não há nada perfeito.

*I’ll never get used to the fact that you dream with something, not of something.

Posted in English

The Perminator

My daughter has been telling people her favourite portuguese music is “Eu Tenho Dois Amores” by Marco Paulo, and she’s even sung the opening line to me a couple of times, but nothing could prepare me for the real thing.

I see a lot of people in the comments are nostalgic for it, and I get that: music that reminds you of a time and a place is always special. And I have to admit, the lad has or a set of pipes on him. But, as someone hearing it for the first time in 2023, it’s pretty cringe. The hair style, the little dance, the fact that he is singing about his two girlfriends who are completely different because um… they have different hair colours… Well, that’s the eighties for you, I suppose!

Posted in English, Portuguese

Quero Ser Um Ecrã

It’s time for another translation! This isn’t your avô’s fado, it’s a bit noisier and punkier than most of theportuguese music I’ve heard. “Quero Ser Um Ecrã” by Baleia Baleia Baleia

This is obviously about screens, and it could be any time of electronic screen, but I think it’s mostly used for handheld devices – which is presumably why they’ve got all the spectators in the video to film the whole thing and view it through their screens instead of just watching the performance. Screen is “Ecrã” in this sense. Masculine, despite the a at the end. I gather if it was a PC screen, that would be “monitor”, but tela and visor are also in use for similar kinds of surfaces – I just don’t hear them so often (Brazilian? Slang?). There’s also the word “biombo” which is the kind of screen you might find in a doctor’s surgery for example, for people to have privacy during procedures. Anyway, none of that – we’re thinking social media, mobile phones – all that stuff – happening on a screen.

Quero Ser um EcrãI want to be a screen
E a vida, a morte, em fotos no ecrã
Os dias compridos e os olhos no ecrã
O mundo perdido, achado no ecrã
Quero ser um ecrã
E os sonhos dos outros cumpridos no ecrã
O monstro do visível escondido do ecrã
Quero ser um ecrã, quero ser um ecrã
And life, death, in photos on the screen
The short days and the eyes on the screen
The lost world, found on the screen
I want to be a screen
And other people’s dreams, accomplished on the screen
The monster of what’s visible, hidden on the screen
I want to be a screen, I want to be a screen.
E as balas que nunca passam do ecrã
A força dos gritos, regulável no ecrã
As lendas e os mitos, imortais no ecrã
Quero ser um ecrã
Medos e incertezas no armário do ecrã
Celulite e flacidez no ginásio do ecrã
Quero ser um ecrã, quero ser um ecrã
And the bullets that never pass through the screen
The force of the screams, adjustable on the screen
The legends and the myths, immortal on the screen
I want to be a screen
Fears and uncertainties in the closet of the screen
Celulite and flabbiness in the gymnasium of the screen
I want to be a screen, I want to be a screen
[Ponte]
E é sempre verão no ecrã
E os corpos estão sempre nús
E há tantos gatinhos no ecrã
E sushi
E bolinhos
E coisas boas
[Bridge]
And it’s always summer on the screen
And the bodies are always naked
And there are so many kittens on the screen
And sushi
And little cakes
And good things
[Hook]
Quero ser um ecrã (x13)
[Hook]
I want to be a screen (x13)
Posted in English, Portuguese

Povo que Lavas No Rio

Translation time! This one is a classic fado, which is mentioned in the book I reviewed the day before yesterday. It also gives us some insight into the Portuguese language’s radical commitment to singular verb endings for collective nouns. The video is majestic and well worth watching, even with the sound off, for the glances between the guitarist and the guy on the guitarra portuguesa. I’d love to know what was going on between them. The song itself is written by Amália but it is really more of an adaptation of a longer poem called “Povo” by Pedro Homem de Mello.

First of all, I think we’re meant to envision people washing their clothes in the river, rather than skinnydipping, in case that’s not obvious! But let’s focus in on how she refers to the noun “povo” here. I’ve highlighted the relevant words in the first verse. As you can se, she’s addressing the “povo” (the people – especially the simple, common people) as “Tu”. In other words, she’s addressing them all, collectively, using the form normally reserved for one singular person who’s familiar to the speaker.

This was really jarring to me. Of course, it’s not that hard to find people referring to “a gente” using third person singular pronouns – I wrote about this a couple of months back – and the portuguese generally take a firmer line on treating the collective as one singular entity (as opposed to using words like eles/them) than we would in english. But to see her speaking directly to the people like this and just address the whoel population like it was her little sister is quite a cultural leap, at least for me.

Povo que lavas no rioPeople who wash in the river
Povo que lavas no rio
Que talhas com teu machado
As tábuas do meu caixão
Povo que lavas no rio
Que talhas com teu machado
As tábuas do meu caixão

Pode** haver quem te defenda
Que compre o teu chão sagrado
Mas a tua vida não
People who wash in the river
Who cut with your axe
The boards for my coffin*
People who wash in the river
Who cut with your axe
The boards for my coffin

There might be people who defend you
Who buy your sacred land
But not your life
Fui ter à mesa redonda
Beber em malga que esconda
Um beijo de mão em mão
Fui ter à mesa redonda
Beber em malga que esconda
Um beijo de mão em mão

Era o vinho que me deste
Água pura, fruto agreste
Mas a tua vida não
I ended up at the round table***
To drink from a bowl that hides
A kiss from hand to hand
I ended up at the round table
To drink from a bowl that hides
A kiss from hand to hand

It was the wine you gave me
Pure water, wild fruit
But not your life
Aromas de urze e de lama
Dormi com eles na cama
Tive a mesma condição
Aromas de urze e de lama
Dormi com eles na cama
Tive a mesma condição

Povo, povo eu te pertenço
Deste-me alturas de incenso
Mas a tua vida não
Scents of heather and dirt
I slept with them in the bed
I was in the same condition.
Scents of heather and dirt
I slept with them in the bed
I was in the same condition.

People, people, I belong to you
You gave me moments of incense****
But not your life
Ai, povo que lavas no rio
Que talhas com teu machado
As tábuas do meu caixão
Povo que lavas no rio
Que talhas com teu machado
As tábuas do meu caixão

Há-de haver quem te defenda
Quem compre o teu chão sagrado
Mas a tua vida não
People who wash in the river
Who cut with your axe
The boards for my coffin
People who wash in the river
Who cut with your axe
The boards for my coffin

There might be people who defend you
Who buy your sacred land
But not your life

*=Could this be more emo?

**=Some versionf oe the lyrics use “ha-de” in place of “pode” but this seems to be teh version she’s singing in the video above. I’m pretty sure the há-de version is taken from Dulce Pontes’ rendition.

***=What’s the word “ter” doing here? According to priberam “ir ter a” is a compound verb meaning the same as “ir dar a” or “ir parar a” – um… OK, I’m none the wiser… but according to the Guia Prático de Verbos Com Preposições, that means “terminar em” or “desembocar”. So basically, to lead to something, to end up at something. Hence “ended up at”

****=I must admit, I got confused about this since the incense reference seemed a bit random, and I was trying to make sense of it by looking at alternative meanings of that word. Figuratively, it can mean praise or subservience, but I think I was overthinking it because it looks like she’s just referring to the smells at the top of the verse. OK, right, that makes sense!

Posted in English, Portuguese

Educação Sexual

I fancied doing another translation, and there’s a song I saw a while ago and mentally filed under “What the hell did I just see?” so here I am, coming back to give it a more thorough treatment.

I’ve definitely mentioned Joaquim de Magalhães Fernandes Barreiros before and I think described him as Portugal’s Benny Hill. He does smutty, innuendo-laden songs and he’s well-liked by many and perhaps a source of embarrassment to others. He’s well-known enough that Netflix chose him to promote its series Sex Education in Portugal – and here’s the result.

OK, well this is going to be fun. *Cracks Knuckles*

The first thing to point out is that a few times in the lyrics he addresses the listeners directly and he does this using the vós form of the imperative tense. This is pretty uncommon. In fact, the first time I saw it I almost had an aneurism becaue I thought it was a new tense that I’d never seen before. I’ll highlight it in the portuguese text for anyone who doesn’t recognise it.

Educação SexualSex Education
Rapazes e raparigas
Ligai o computador
Vamos todos aprender
Como é que se faz amor
Boys and girls
Turn on the computer
We’re all going to learn
How to make love
É hora de despertar
Para a vida sexual
Uns vão gostar de banana
Os outros de bacalhau
It’s time to wake up
To sexual life
Some people like banana
The others, cod
Seja homem ou mulher
Não importa a orientação
A realidade é sempre
Melhor que a fricção
Whether man or woman
It doesn’t matter the orientation
The reality is always
Better than friction*
Falai abertamente
De sexo sem timidez
Está na hora de começar
Aguentas oito de uma vez?
Speak openly
About sex, without shyness
It’s time to start
Can you handle eight at once?
Para cima, para baixo
Está no ir, está no quente
Enfiai devagarinho
E gozai suavemente
Up and down
It’s on the go**, it’s in the warm
Put it in slowly
And have fun***, gently
Para cima, para baixo
Está no ir, está no quente
Enfiai devagarinho
E gozai suavemente

Aguentas oito de uma vez?
Aguentas oito de uma vez?
Aguentas oito de uma vez?
Up and down
It’s on the go, it’s in the warm
Put it in slowly
And have fun, gently

Can you handle eight at once?
Can you handle eight at once?
Can you handle eight at once?

* Reality is better than f(r)iction is obviosuly a pun. There are a few ways of expressing the equivalent of “truth is stranger than fiction” in portuguese, but this is legitimately one of them – see this TSF Rádio Notícias article, for example.

**Not sure about the translation here. “Está no ir” isn’t a phrase that comes up a lot if you google it, but it does seem to mean what you’d think if you translated it literally “It’s on the go”

***Gozar usually means to enjoy something in european portuguese – “gozar de férias” (enjoy the holidays) is an example given on priberam, so I’ve just translated it like that. However, the fact that in brazilian portuguese it also means “have an orgasm” is pretty obviously going to be relevant, given what he’s singing about!

Posted in English, Portuguese

Se Esta Rua Fosse Minha

Translation time! This one is by Oquestrada and it’s cool. I especially like how the ghost of Ernie, the fastest milkman in the west, shows up and starts playing a pocket trumpet.

These are lyrics. I thought she was just freestyling in the middle but then realised the lyrics I was using for the translation were totally different! It’s actually an older song, from Brasil, possibly from the 19th Century, and I’d picked up those lyrics instead of the Oquestrada version. They’re really different; in fact, even the title is slightly different. Brazilians use “essa” slightly more often than portuguese people, so the name of the song is “Se Essa Rua Fosse Minha” – Essa, not Esta. Anyway, deleted it all, started again, and here you go, with the right version.

PortugueseEnglish
Se esta rua, se esta rua
se esta rua fosse minha
eu mandava-a, eu mandava-a
eu mandava-a ladrilhar
com pedrinhas de rubi
só para o meu amor passar
Ah, se esta rua, se esta rua
se esta rua fosse minha
com pedrinhas de rubi
só para o meu amor passar
If this street, if this street
If this street were mine
I’d order it, I’d order it
I’d order it to be paved
With ruby cobblestones
Just for my lover to pass by
Ah, If this road were mine
I’d order it to be paved
With ruby cobblestones
Just for my lover to pass by
Ah, lá porque és feia tem calma
não te faltam seduções
mais vale ser linda de alma
do que linda de feições
mais vale ser linda de alma
do que linda de feições
Ai o amor, o amor
o amor é como a lua
ora cresce
ora mingua é
Ai o amor, o amor
o amor é como a lua
ora cresce
ora mingua
ah, pois é
Ah, just because you’re ugly, calm down
You don’t lack seductions
It’s better to have a beautiful soul
Than beautiful features
It’s better to have a beautiful soul
Than beautiful features
Oh love, love
Love is like the moon
Now it waxes
Now it wanes
Oh love, love
Love is like the moon
Now it waxes
Now it wanes
For sure
Que bom ser pequenino
ter pai, ter mãe, ter avós
ah, ter esperança no destino
e ter quem goste de nós
e ter quem goste de nós
e ter quem goste de nós
Ai, é tao bom ser pequenino
It’s so good to be a child
To have father, mother and grandparents
To have hope in our destiny
And to have people who like us
And to have people who like us
And to have people who like us
Oh it’s so good to be a child
Se esta rua, se esta rua
se esta rua fosse minha
eu mandava-a ladrilhar
com pedrinhas de rubi
só para o meu amor passar
Se esta rua fosse minha
eu mandava-a ladrilhar
só para o meu amor passar
só para tu e tu e tu e tu e tu
passar
If this street, if this street
If this street were mine
I’d order it, I’d order it
I’d order it to be paved
With ruby cobblestones
Just for my lover to pass by
Ah, If this road were mine
I’d order it to be paved
With ruby cobblestones
Just for my lover to pass by
Posted in English

Oh Lordy, it’s Eurovision Tonight!

And I haven’t even heard the portuguese entry yet. Right, let’s get this up on screen and see what it’s like

Wow, it’s pretty good actually. I can’t see it winning – it’s no Amar Pelos Dois – but it’s better than the last few entries. There are some lyrics online, so here’s a translation.

First of all, the name. It should just be “Oh heart” but that sounds weird so I’m going to randomly insert the word “my” to make it sound more natural

PortugueseEnglish
Ai, coração
Que não me deixas em paz
Não me dás sossego, não me deixas capaz
Tenho a cabeça e a garganta num nó
Que não se desfaz e nem assim tu tens dó
Sinto-me tonta, cada dia pior
Já não sei de coisas que sabia de cor
As pulsações subiram quase pra mil
Estou louca, completamente senil
Oh my heart
That doesnt leave me in peace
That doesn’t give me calm, leaves me incapable
I have my head and my throat in a knot
That won’t untie itself and you have no pity
I feel dizzy, worse every day
I don’t know thigs I used to know by heart*
My pulse is up to almost a thousand
I’m crazy, completely senile
O peito a arder, a boca seca, eu sei lá
O que te fazer, amor, pra mim assim não dá
Porque parece que nem sou mais eu
Ai, coração
Ai, coração
Diz-me lá se és meu
My chest burning, my mouth dry, i don’t know
What to do to you, it’s not working out like this
Because it seems like I’m not myself any more
Oh my heart
Oh my heart
Tell me if you are mine
As horas passam e o sono não vem
Ouço as corujas e os vizinhos também
O meu juízo foi-se e por lá ficou
Alguém me tire deste estado em que estou
O doutor diz que não há nada a fazer
‘Caso perdido’, vi-o eu a escrever
Ando perdida numa outra dimensão
Toda eu sou uma grande confusão
The hours pass and the sleep doesn’t come
I listen to the owls and the neighbours too
My judgement left and stayed away
Someone take me out of this state I’m in
The doctor says there’s nothing that can be done
“Lost cause” I saw him write about me
I’m lost in another dimension
I’m all in a muddle
O peito a arder, a boca seca, eu sei lá
O que te fazer, amor, pra mim assim não dá
Porque parece que nem sou mais eu
Ai, coração
Ai, coração
Ai, coração
Diz-me lá se és meu
My chest burning, my mouth dry, i don’t know
What to do to you, it’s not working out like this
Because it seems like I’m not myself any more
Oh my heart
Oh my heart
Oh my heart
Tell me if you are mine
O peito a arder, a boca seca, eu sei lá
O que te fazer, amor, pra mim assim não dá
Porque parece que nem sou mais eu
Ai, coração
Ai, coração
Ai, coração
Ai, coração
Diz-me lá se és meu
My chest burning, my mouth dry, i don’t know
What to do to you, it’s not working out like this
Because it seems like I’m not myself any more
Oh my heart
Oh my heart
Oh my heart
Oh my heart
Tell me if you are mine

*Why doesn’t “cor” mean colour here? Well, cast your mind back to this post a few weeks back. The lyrics of that one talk about knowing “letras de cor” – knowing them off by heart. So it’s just an old usage of cor, meaning the same as coração.

Posted in English

M.I.R.I.A.M: Orelha Negra, featuring Vhils

I posted a music video yesterday, and I’ve got a few more lined up. This one doesn’t really ave any lyrics though, so consider it a palate cleanser. Orelha Negra are portuguese band and they’ve put one of their chilled-out tracks over some footage of Vhils doing his craxy explosive artworks. I’ve talked about Vhils before a couple of times and I quite like the effect of combining the two art forms in one.