Posted in English, Portuguese

Uns Vão Bem e Outros Mal – Fausto

Translation time! This song is fantastic and I love it. I first heard it as a small segment, used as the theme for a podcast called Assim se faz Portugal, hosted by Maria Rueff. the singer, Fausto Bordalo Dias, known simply as Fausto, is a well-regarded artist who has been making music for decades and is still going. He released his first album 5 years before the end of the dictatorship and soon after was drafted into the colonial war in Guinea, but he was a conscientious objector, and he went on to be active politically. And it really shows in this song, from a 1977 album called Madrugada dos Trapeiros (Dawn of the ragpickers).

The song is structured using the idea of a folk dance called a Roda or “Baile Mandado” (guided dance – you can see an example here, which gives you a better idea of what the song is building on), where everyone has their place and they’re being given instructions, but instead of dance steps, what’s happening is the usual round of the poor being oppressed because they are ruled by people from a different class who don’t share their values, but “o baile vai terminar” and I guess there’s a parallel between mandador (The person who calls the intructions at the dance) and the boss, going on in the first verse especially

PortugueseEnglish
Senhoras e meus senhores,
façam roda por favor
Senhoras e meus senhores,
façam roda por favor,
cada um com o seu par
Aqui não há desamores,
se é tudo trabalhador
o baile vai começar.
Senhoras e meus senhores,
batam certos os pézinhos,
como bate este tambor
Não queremos cá opressores,
se estivermos bem juntinhos,
vai-se embora o mandador
Vai-se embora o mandador
Ladies and gentlemen,
Form a circle please
Ladies and gentlemen,
Form a circle please
Each one with their partner
There are no heartbreaks here
If everything is working
The dance will begin
Ladies and gentlemen
Stamp your feet right
in time to this drum
We don’t want oppressors here
If we’re getting on well together
The boss can leave
The boss can leave
Faz lá como tu quiseres,
faz lá como tu quiseres,
faz lá como tu quiseres
Folha seca cai ao chão,
folha seca cai ao chão
Eu não quero o que tu queres,
eu não quero o que tu queres,
eu não quero o que tu queres,
Que eu sou doutra condição,
que eu sou doutra condição
Do what you like
Do what you like
Do what you like
The dead leaf falls to the ground
The dead leaf falls to the ground
I don’t want what you want
I don’t want what you want
I don’t want what you want
Because I’m from a different class
Because I’m from a different class
De velhas casas vazias,
palácios abandonados,
os pobres fizeram lares
Mas agora todos os dias,
os polícias bem armados
desocupam os andares
Para que servem essas casas,
a não ser para o senhorio
viver da especulação
Quem governa faz tábua rasa,
mas lamenta com fastio
a crise da habitação
E assim se faz Portugal,
uns vão bem e outros mal
From old empty houses,
abandoned palaces
The poor make homes
But now every day
The well-armed police
Clear the floors
What are those houses good for
If not for the gentry
To live off speculation
Whoever governs makes a blank slate
But deeply regrets
the housing crisis
And thats how it goes in Portugal
Some do well and others badly
Faz lá como tu quiseres,
faz lá como tu quiseres,
faz lá como tu quiseres
Folha seca cai ao chão,
folha seca cai ao chão
Eu não quero o que tu queres,
eu não quero o que tu queres,
eu não quero o que tu queres,
Que eu sou doutra condição,
que eu sou doutra condição
Do what you like
Do what you like
Do what you like
The dead leaf falls to the ground
The dead leaf falls to the ground
I don’t want what you want
I don’t want what you want
I don’t want what you want
Because I’m from a different class
Because I’m from a different class
Tanta gente sem trabalho,
não tem pão nem tem sardinha
e nem tem onde morar
Do frio faz agasalho,
que a gente está tão magrinha
da fome que anda a rapar
O governo dá solução,
manda os pobres emigrar,
e os emigrantes que regressaram
Mas com tanto desemprego,
os ricos podem voltar porque nunca trabalharam
E assim se faz Portugal,
uns vão bem e outros mal
So many people without work
They don’t have bread or sardines
And they don’t even have a place to live
They wrap up against the cold
Because people ate so thin
Raging with hunger
The government gives a solution
It tells the poor to emigrate
And the emigrantes that returned
But with so much unemployment
The rich can return because they never work
And thats how it goes in Portugal
Some do well and others badly
Faz lá como tu quiseres,
faz lá como tu quiseres,
faz lá como tu quiseres
Folha seca cai ao chão,
folha seca cai ao chão
Eu não quero o que tu queres,
eu não quero o que tu queres,
eu não quero o que tu queres,
Que eu sou doutra condição,
que eu sou doutra condição
Do what you like
Do what you like
Do what you like
The dead leaf falls to the ground
The dead leaf falls to the ground
I don’t want what you want
I don’t want what you want
I don’t want what you want
Because I’m from a different class
Because I’m from a different class
E como pode outro alguém,
tendo interesses tão diferentes,
governar trabalhadores
Se aquele que vive bem,
vivendo dos seus serventes,
tem diferentes valores
Não nos venham com cantigas,
não cantamos para esquecer,
nós cantamos para lembrar
Que só muda esta vida,
quando tiver o poder
o que vive a trabalhar
Segura bem o teu par,
que o baile vai terminar
And how could anyone else,
having such different interests,
Govern the workers?
If that guy who lives well
Living off his servants
has different values
They don’t come to us with songs,
We don’t sing to forget
We sing to remember
That this life only changes
When power is held by
Those who live to work
Hold your partner tight
Because the dance is about to end
Faz lá como tu quiseres,
faz lá como tu quiseres,
faz lá como tu quiseres
Folha seca cai ao chão,
folha seca cai ao chão
Eu não quero o que tu queres,
eu não quero o que tu queres,
eu não quero o que tu queres,
Que eu sou doutra condição,
que eu sou doutra condição
Do what you like
Do what you like
Do what you like
The dead leaf falls to the ground
The dead leaf falls to the ground
I don’t want what you want
I don’t want what you want
I don’t want what you want
Because I’m from a different class
Because I’m from a different class
Posted in English, Portuguese

Lisboa Casta Princesa – Lucília do Carmo

Here’s another song translation. This one’s a real old-school fado from Lucília do Carmo, mother of Carlos do Carmo and friend of Alfredo Marceneiro, who I’ve mentioned on here before because he sang the original Casa da Mariquinhas. I don’t know what the story of this song is but it’s from the Salazar era and it’s giving me strong Fado, Fátima, Futbol vibes.

PortugueseEnglish
Lisboa, Casta* Princesa
Que o manto da realeza
Abres com pejo
Num casto beijo
Lisboa tão linda és
Que tens de rastos aos pés
A majestade do Tejo
Lisboa das Descobertas
De tantas terras desertas
Que deram brado
No teu passado
De beleza tens a coroa
Velha Lisboa
Da Madragoa
Quantos heróis tens criado!
Lisboa, Chaste Princess
Whose royal robe
You open shyly
In a chaste kiss.
Lisboa, you’re so lovely
That you have trailing at your feet
The majesty of the Tejo.
Lisboa of the discoveries
of so many deserted** lands
That made you famous***
In your past
You have the crown of beauty
Old Lisbon
From Madragoa
So many heroes you’ve created!
Sete colinas
São teu colo de cetim
Onde as casas são boninas
Espalhadas num jardim****
E no teu seio
Certo dia foi gerado
E cantado
Pelo povo sonhador
O nosso fado
Seven hills
Are your satin skirts*****
Where the houses are beautiful
Spread out in the garden
And on your breast
Some day was brought into being
And sung
By the people who dream
Our Fado
Lisboa, tardes doiradas
Dos domingos, das toiradas
Em que luzia
A fidalguia
E em que esse sangue valente
Mostrava que havia gente
A quem a morte sorria
Lisboa, terra de fama
Tens a tristeza de Alfama
E a poesia
Da Mouraria
E nos teus velhos recantos
Eu sei lá quantos
Tu tens encantos
Dos tempos da valentia!
Lisboa, golden afternoons
Of Sundays, of bullfights
In which shone
The nobility
And in which that brave blood
Showed that there were people
Who smiled at death
Lisboa, famous land
You have the sadness of the Alfama
And the poetry
Of the Mouraria
And in your old corners
I don’t know how many
You have enchantments
Of the times of bravery

* Casta can mean “caste” is it’s a noun, but I think this is an adjective: the feminine form of “casto”

** 🤔

***Brado can also mean “a shout” but I don’t think that makes sense, given teh following line, so assume this is what she means.

****This is the lyric I found for this song but I’m pretty sure she says “espalhado em jardins”

*****It’s weird that this one word, colo can mean two completely different parts of the body, but hey ho. I’ve taken it as meaning the skirts arranged on a lap, because we don’t really have a word for the top part of a woman’s chest, above the breast, and I’m not writing “breast”. Anyway, a breast is mentioned a few lines later – how many breasts do you need, people? Her son is always singing about them too!

Posted in English

Only a Gingeira Can Call Another Ginjeira Ginjeira

Well, this is a bit worrying. I’ve just written a blog post about the expression “Conhecer de Ginjeira”. When I went to tag it, my WordPress site seemed to recognise the expression, so I looked it up and found I’d already written the same explanation just a few months ago, in July. I often feel like my memory is declining in my late middle age, which is a cause for concern in a lot of ways, and definitely makes learning a language an uphill struggle. But to have researched and written a blog post just 15 weeks ago and to have zero recollection of having done so… Oh lord, my braincells are an endangered species. Anyway, for what it’s worth, here’s the November version of July’s article.

I came across an expression I didn’t recognise today: Conhecer de ginjeira.

It seems like not very much is known about the origins. An answer on the always-reliable Ciberduvidas says that it’s usually mildly negative, maybe implying you know their tricks and won’t be taken in by the. It goes on to suggest it is probably a rural expression meaning you’ve known them since you were young enough to pick ginjas (sour cherries) together. Like a lot of -eira words – pereira, maceira, nogueira, bananeira – a ginjeira is the tree on which the fruit grows.

The origin doesn’t quite fit this case because the speaker is the mother of the person under discussion, but that’s fine, expressions often take on a life of their own.

Posted in English

Qual É A Dúvida

I’ve just finished Qual É A Dúvida and I was really impressed. I’d spent a lot of time bogged down in a really tedious, repetitive exercise book beforehand and I could never motivate myself to open it, so switching to this was a real breath of fresh air. It’s got 25-35 questions in every 2 page section. Its purpose is to focus on some of the trickier aspects of grammar that you might have found hard when you learned about them. As such, it isn’t a textbook and doesn’t give very detailed explanation of each topic because it assumes you’ve already learned it and just need to practice some examples to get the hang of the. So you get a super-basic summary of the rule or difference it’s trying to highlight and then it leaves you to fill in the spaces. It covers relatively basic stuff from B1 up into some really twisty grammar for C2 level.

I found it challenging in places, but even in the easy pages, I never really felt like I was wasting my time.

It’s really one of my favourite books so far, and I have marked some of the harder pages to review again later.

I’ll put the first contents page below so you can see what it’s hitting at the intermediate level, but the whole thing spans three pages.

Strong recommendation if you’re intermediate/advanced. And if you’re looking to load up on textbooks, remember I have a special page for that and it’s here.

Posted in English

Lisbon by Neill Lochery

I’ve had the audiobook of Lisbon by Neill Lochery on my listening list for a while now and finally got around to it simply because I had started Enquanto Salazar Dormia by Domingos Amaral And wanted a little more background about wartime Lisbon to give me the context.

Lisbon - War in the Shadows of the City of Light, by Neill Lochery.

I learned a lot! I’d always known Portugal had a slightly odd place In World War 2 History: Salazar, as a fascist, was probably more inclined towards Hitler’s world view, but Portugal and Britain have been allies since way back. I also knew we hadn’t always been good allies (see this post about the portuguese national anthem starting life as a diss track about the treacherous land-stealing British empire).

What I hadn’t realised was how many different schemes and counter-schemes were swirling around the capital, or how delicate was the balance that kept the Iberian peninsula out of the war.

Nor had I any idea that part of Portugal’s reason for distrusting Britain was that Neville Chamberlain had offered Angola to Hitler as part of his appeasement negotiations. Or about the delicate situation regarding Wolfram (Tungsten) mining that was necessary for both sides’ war effirts. At one point, a network of SOE agents had recruiters portuguese sub-agents and poised then to blow up mining infrastructure and assassinate some key people in the event that Portugal was invaded by Spain at the behest of the nazis and there wasn’t a padeira around to hold them back.

It’s absolutely amazing. I love all that stuff.

Posted in English

Manuel Cardoso Brings His Comedy Show to London

This event, happening in London next week, looks like it could be fun. The guy is a comedian who does sketches, and he’s put together a show about bad behaviour (“red flags”) which he’s touring around 10 cities including London.

I assume he’s still going to be speaking portuguese in the London gig… It’s a bit confusing though because he’s given it a title in english and there are no warnings to say it’s in portuguese, so aren’t there likely to be punters who just see it in the What’s On pages, fancy a night out and just buy a ticket on the off-chance? The fact that there are no warnings make me wonder if he’s doing an english version. On the other hand, the online ticket purchase is all in portuguese, so… assuming that’s the only way to get one, hopefully that will keep the riff-raff out and it’ll be safe to do the portuguese show for teh portuguese crowd. Anyway, I’m crossing my fingers. It’s on the day before the exam so I am counting on it being equal parts funny and challenging!

I’ve seen quite a few of his videos and he’s very good, but comedy is always tricky since there tends to be a lot of slang, fast talking and references to events that maybe don’t make sense to outsiders. An hour and a half of that might be pretty challenging if I lose the thread of what he’s talking about! Anyway, I’ll listen to a few more of his videos and try to get really familiar with his accent and the kinds of things he talks about.

You can book tickets on this page (which,just to thicken the plot even further, has a description in both languages!)

Posted in English

Punning with the Brazilians

I really like being able to make puns in another language. That’s me, the first comment u der the main post.

As you probably know, or can probably guess a Centavo is a hundredth of a Real (Brazilian currency)

I think the people following up are mocking the collapse of the Argentinian Peso. It’s lost more than half it’s value in the last year including a sharp drop-off when the sensible candidate got knocked out if the election race.