Posted in English, Portuguese

Rapaz Delight

I posted a rap featuring Sam the Kid a while ago, but I need to prove I’m down with the kids, so here’s another! I think last time I used too many asterisks, so I’ll try and use links where I can this time.

This one is called “Também Faz Parte”. The first verse, by Sam the Kid himself, is really hard and I suspect I am getting quite a bit of it wrong. Mundo Segundo’s verse is much easier to follow.

PortugueseEnglish
(Sam the Kid)
Quando a vida ficar vazia, faz ela virar poesia
O passado passou ‘pa trás, o teu prazo passou num dia
O fracasso tá ali na porta, quase dormiu na merda
Ele passa uma vida morta, e abraça que é o fim da meta
É o massacre que só humilha, cansado que o sol não brilha
Arrasado e ele só dormia a pensar abraçar a filha
E os homens levam-me os tropas
Boy, na zona é só desfalques
Paka limpa só funciona noutros palcos
Gravatas invisiveis não querem mais milionários
E tornam impossíveis cenários imaginários
Mas não tiram minha mística, sou atração turística
Desmistifico quem pensa que em bairros só há marginais, todos iguais
Por mais que inoves, a tua sina é ser da mesma escória
E putos trazem uma visão nova para a mesma história
Pais falidos fazem mais bandidos
Quem patrocina agora a casa é o filho de pais maridos
Um gajo na boa vem Ramona, a gente “esfaina”
Na estrada, a gente espalha a zona, a gente “shaina”
A judiciária que espreita por ‘tar na área
É suspeita a missão diária para ver toda a nossa área desfeita
Novas doutrinas, que alteram rotinas à procura de vidas londrinas
Um boy obrigado a ter emigrado e o bairro ainda é unido e bravo
Onde eu gravo o meu vídeo, agrado o passado p’ra no futuro ser lembrado
Esse é o meu fado
(Sam the Kid)
When life is empty, turn it into poetry
The past is gone behind, your goal passed in a day
Weakness is there at the door, almost asleep in the shit
He lives a dead life and embraces the end
It’s the massacre that only humiliates, tired because the sun isn’t shining
Devastated and he was only asleep, dreaming of hugging his daughter
And men bring their crew to me
Homeboy, in the neighbourhood, there’s only the hustle
Too clean only works on other stages
Invisible neckties don’t want more millionaires
And make imaginary scenarios impossible
But they don’t take my music, I’m a tourist attraction
I demystify anyone who thinks that in the neighbourhood there are only marginalised people, all the same
No matter how much you innovate, your destiny is to be the same scum
And kids bring a new vision for the same story
Skint parents make more criminals
The person protecting the house now is the child of married parents
A cool guy, here comes a police car, the people “It’s fine“*
In the street, the people spread out, the people “Shine!”
The Judicial Police that look to be in the area
It’s suspicious , the daily mission to see our whole neighbourhood pulled apart
New doctrines, that alter routines, in search of London lives
A homey forced to emigrate and the neighbourhood is still united and brave
Where I’m recording my video,
I thank the past to be remembered
in future
That’s my fate.
Também faz parte
Pensei num péssimo indício e disse-o
P’ra vir encarar à pressa ou começa no sacrifício
Em cada fim há um início, em cada início uma história
É hipótese duma nova trajetória, porque a glória (x2)
It plays a part too
I thought of a bad sign and said it
To come face to face with it in a hurry or start with sacrifice
In every end there is a beginning, in every beginning a history
It is the chance of a new direction, because of the glory (x2)
(Mundo Segundo)
Também vim do bairro mas não do bloco, eu cresci na ilha
Onde a miséria aponta o foco mas onde há fome há partilha
Onde um prato dá para quatro, um quarto p’ra família inteira
Duas camas, berço, terço na mesa de cabeceira
Um ordenado, uma pensão, rendimento de inserção
Uma criança como um dom num castelo de papelão
Um futuro que não sorri numa bela face trancada como
Um livro que não li com informação que faltava
Mas não deixei de ser eu, fui do breu ao apogeu
Fui do meu pequeno quarto aos palcos do coliseu
Tudo faz parte, eu luto. Dizem que a vida é prostituta
Mas apaixonei-me por ela a ver se a relação resulta
Num certo ponto de vista, podem me chamar masoquista
Mas não sou apologista de vitórias sem conquista
Tenho sonhos numa lista, mais uma linha que se risca
Na verdade só se despista aquele que se faz à pista
Porque eu corro por desporto mas não me alimento de vento
Fiz muito trabalho à borla, respeita o meu orçamento
Direto sem ornamento, não político de parlamento
Lamento não minto em detrimento que sinto por dentro
Do ventre até ao jazigo, imperfeito assim prossigo
Se partir, digam ao mundo “fechei a página deste livro”
Em cada fim há um início, em cada início uma história
É hipótese duma nova trajetória, porque a glória
(Mundo Segundo)
I come from the hood too, but not the block, I grew up on the island,
Where misery directs your focus, but where there is hunger there’s sharing
Where a plate is enough for four and a bedroom for a whole family.
Two beds, a crib, a rosary on the bedside table
A wage, a pension, a social security payment
A child like a king in a cardboard castle
A future that doesn’t smile on a beautiful face, locked like
A book I didn’t read, full of information I need
But I didn’t stop being me, I went from the darkness to the heights
I went from my little bedroom to the stage of the Coliseu
Everything plays a part. I fight. They say that life is a prostitute
But I fell in love with her to see if the relationship is a success
From a certain point of view, you can call me a masochist
But I’m not an apologist for victories without conquest
I have a list of dreams, one more line gets crossed out
In truth, only the person who stays on track loses the track
Because I run for sport but I can’t eat the wind
I did a lot of work for free. Respect my budget
Straight up, without ornament, not a politician in parliament
I’m sorry I don’t lie to the detriment of what I feel inside
From the cradle to the grave, imperfect, I do it like that
If you’re leaving, tell the world “I closed the page of that book”
In every end there’s a start, in every start there’s a history
It’s a chance of a new direction because of the glory
Também faz parte
Pensei num péssimo indício e disse-o
P’ra vir encarar à pressa ou começa no sacrifício
Em cada fim há um início, em cada início uma história
É hipótese duma nova trajetória, porque a glória (x2)
It plays a part too
I thought of a bad sign and said it
To come face to face with it in a hurry or start with sacrifice
In every end there is a beginning, in every beginning a history
It is the chance of a new direction, because of the glory (x2)
* This is possibly fanciful. Nobody I spoke to knew what this word and the quoted word at the end of the following line mean. The best guess was that they were portuguesified versions of english words
If you want a more chilled version of that to cleanse the pallet, you could try this acoustic version by A Garota Não. The lyrics are heavily cut to make it fit the format but it’s really nice, as most of her stuff is.
Posted in English

1 Day of Summer

I had one of those moments on social media where I see something I don’t really understand and I have to go off and unravel the mystery and learn something along the way. It started with this Instagram post from Cinema São Jorge:

I guessed the origin, although I haven’t seen it for years. It’s from the pinnacle of the Manic Pixie Dream Girl movie era, 500 Days of Summer:

And I guess they’re excited because it was July the 31st, the day Quim Barreiros, accordionist and master of Música Pimba has decreed to be the best day to get married. Why? Because “depois entra agosto” (then comes August). It’s explained in this Sapo article but they’re not explaining it quite well enough for a non-native, so let me unravel the pun in all its corny glory.

“A gosto” is used in recipes in the way “to taste” is used in English recipes. Season to taste =Temperar a gosto, or you could just have “(a gosto)” in place of a specific quantity after the name of the ingredient (see this absolutely disgusting recipe, for example), meaning as much or as little as you like. So when he says “depois entra a gosto”, he’s just saying after you get married you can enter (nudge, nudge, wink, wink) whenever you please.

Posted in English

How Fernando Pessoa Saved Portugal

Yesterday’s post was about the strange case of Fernando Pessoa’s advertising slogan for Coca Cola in 1927. As I mentioned, there seem to be a few different perspectives on the motives of the people involved, but I don’t think the facts of the matter are in doubt.

Anyway, it turns out that there’s a short movie about the incident. It’s made by a French company but it’s in portuguese with English subtitles. Someone’s put it on Facebook. Hurry though, it might not be there forever. It’s a good length and very easy to follow, so I can recommend it even if your listening skills are underdeveloped.

The film has a slightly playful, surreal tone. The name of the drink os given as “Coca Louca” and it translates the slogan as “First you’re surprised, then you’re possessed”, then plays with that idea of possession by showing the minister for health convinced that the drink contains evil demons which need to be cast out by an exorcist with a bottle opener in the shape of a crucifix!

It also depicts the poet not as Pessoa himself but as Álvaro de Campos, one of the heteronyms, who appears in the film as a separate person, looking just like the man himself.

A still from the movie "Como Fernando Pessoa Salvou Portugal"
Fernando Pessoa Working Up a Thirst
Posted in English

Tia Angústia

I used the phrase “Tia Angústia” as the original title of yesterday’s post and that made me wonder if there really was a Portuguese equivalent to the English expression “Agony Aunt”, that would be better than my all-too-literal translation. I asked…

Acabei de usar esta frase no meu texto dia. Foi uma piada, porque aposto que a expressão não existe em português mas “agony aunt” em inglês significa alguém que dá conselho, principalmente sobre amor, por exemplo num jornal ou numa revista. Tipo: “Cara Tia Joana, Amo um rapaz mas é casado com um caranguejo. O que é que devo fazer?” / Já consideraste vestir-se a vermelho e andar de lado para chamar-lhe a atenção? Será que tais pessoas existem/iam lá? E se existem mesmo, qual é a… Sei lá… O título deste cargo…?

A Revista Maria
Yeah yeah, we believe you, José Nuno Martins

Anyway, it turns out that, no, agony aunt columns were never really a thing in papers, but that seems to have been largely because there was a magazine called Maria, launched in 1978 that absorbed all this action. People would address their letters to “Maria” and so having another personality, an agony aunt figure, wasn’t really necessary. A lot of this is based on people speculating so it’s not an authoritative answer or anything.

Maria still exists but it has modernised and moved on to fashion and lifestyle tips, but you an find old advice from it if you look around. Here, for example. Apparently the letters were real, and the people who answered them were psychologists, according to the magazine’s own account of itself.

So, bottom line, nobody will know what you’re on about if you refer to a Tia Angústia but if you need a cultural reference point in the same sort of area to drop into conversation, a revista Maria is probably the right one to reach for.

Posted in English, Portuguese

Toy Story – Com Diogo Cabeça-de-Batata

No texto de ontem falei do vídeo do Diogo Bataguas/Batuta/Batman/QualquerCoisa*. Mas não mencionei a maior estrela do vídeo, o Toy. Para ser sincero, nunca antes tinha ouvido falar desse senhor, mas andei à procura de vídeos das músicas dele. Parece que é boa música de festa mas não senti me uma grande pulsão* em comprar os seus álbuns.

Mas percebo o génio de contratar um cantor famoso daquele estilo de música para gravar o tema duma rubrica dum programa televisivo.

*=in the original version of yesterday’s text, I got Diogo Bataguas’s name wrong and called him Diogo Batuta.

**=not really the right word. I’m reading a book that has Sigmund Freud as one of its characters and he uses this word – it means an urge, in the psychological sense. It would have been better to say something like “não me senti compelido a comprar…”

Thanks to Dani for the grammar corrections. She’s also given me some factual corrections which I’ll pass along so as not to give the wrong idea:

The video is a web series, not a TV show. Diogo Bataguas is “um moço singelo” (a simple, innocent lad) who asks for contributions from his fans in order to be able to pay his team – namely, Sandro, who is always hungry

Toy doesn’t just sing party songs as I’ve described here, he also does emotional ballads and TV soap opera theme songs but he’s also known for being an interesting personality. He gave away tickets to his wedding to random fans and he… Invented a style of driving with his knees…? Speaking as a cyclist, this doesn’t exactly endear me to the bloke, to be honest, but apart from that he seems OK. One fellow learner told me (s)he had met him in a seafood restaurant in Azeitão and he had spoken warmly and at great length of his love for Canadian audiences. Telling this story later, (s)he found out that virtually everyone who has ever been to any restaurant in Azeitão has had a similar experience because he is “um senhor bastante gregário”.

He wasn’t hired to do the song, (it’s at about 7:55 in the video I linked to yesterday) Bataguas just mentioned he’d like to get Toy to sing it and fan pressure did the rest.

Some examples of his work:

Party music

Ballad

Knee driving

Posted in English

Early Impressions of the Official C1 Course

I said, a few days ago, that the official C1 course I was taking through the Camões Instituto de Cooperação e da Língua was being hampered by network troubles. They’ve been sorted out now. It must just have been a temporary glitch. I’m still not convinced though. It’s not hugely expensive as these things go, so I’m not too traumatised or anything but it’s worth setting out the pros and cons for the benefit of anyone who is considering following the same path.

First of all, the pros: the course is designed by the same people who design the exams, so the topics it covers are likely to come up as discussion topics in the exam. So it’s a good way of getting familiar with that kind of vocabulary. It has several hours’ worth of content, intended to be studied week by week, but it’s delivered on demand so you can go faster if you like.

Now the cons: the app is broken. That’s OK though, you can take the course in a web browser and there have been a few times I’ve had to do that just to progress, because I simply couldn’t scroll to the answer in the app, or because it gave me an error message every time I tried to move onto a page. Just don’t even bother with it. Save yourself the headache and do it in the web browser instead.

The actual content isn’t especially challenging. For example, I’ve just done a quiz about health. You’re supposed to start with a text about healthy lifestyles then answer a series of questions like “Physical activity is essential for a healthy life – True/False”. Well um, I don’t really need to go back to the text to answer that, thanks.

The introductory lecture of the Camões Institute C1 course
The introduction to the first unit

Maybe the reason for the ease of the questions is that there’s quite a strong emphasis on culture. The health topic is perhaps not the best example to use, but in the very first section, there’s an exercise about local shops and their role in poor communities. The questions were sort of ridiculous, considered purely as a matter of language. In one, we’re shown a picture of a man, standing in a shop holding a book with people’s names and the various things they’d been given in credit, so he could keep track of who owed what. The challenge was to pick out words from a list that could be used as a caption for the picture. You’re not told how many to pick. I chose “mercearia” and “comerciante” but I should also have picked “proximidade”, “bairro” and “comércio local”

In the next question, you’re asked what makes it possible for a neighbourhood to feel like a large family. And the options are a confiança, o afeto, a proximidade or o tempo. The answer is not given in the text, you just need to think about it. The correct answer is “o afeto”

So… Okay… It felt a little random, and didn’t really challenge my vocabulary skills, but I suppose they’re trying to get you to think of what neighbourhood means in Portugal, and to understand the ties that bind local communities as well as just purely being able to use grammar correctly. So there’s an element of comprehension of the text, but also an expectation that you’ll use empathy to comprehend the actions of the individuals.

So I think my early review would be that the course is worth taking if you intend to take the exam seriously and want to be prepared for the conversation topics, and it’s definitely worth taking if you are considering citizenship and want to get to know the culture. But I don’t think it’s enough on its own, at least to judge from what I’ve seen so far, you’d also need to go through a textbook, because you’ll need something else to really stretch you linguistically and, from what I’ve seen so far, this ain’t it.

Posted in Portuguese

A Banda das Três Ordens

Thanks to ThisCatIsConfused and Dani Morgenstern for corrections

Provavelmente já alguma vez viste alguma vez uma fotografia do presidente da República portuguesa, Marcelo Rebelo de* Sousa ou um dos seus antecessores, vestido de modo formal durante uma cerimónia qualquer. Há um item muito curioso de roupa enfiado entre a camisola e o casaco: uma banda constituída por três faixas: uma roxa, uma vermelha e uma verde.

Presidente Marcelo Rebelo de Sousa e a Bandas das Três Ordens
Presidente Marcelo Rebelo de Sousa

Porque é que o presidente se veste assim? Tem a ver com o Natal**? O Senhor Rebelo de Sousa é um pres(id)ente que alguém vai desembrulhar? Espero que não. A banda é uma condecoração chamada A Banda das Três Ordens. Cada faixa representa uma das três antigas ordens monástico-militares: a de Cristo, de Avis e de Sant’Iago da Espada. As três ordens têm as suas raízes na idade média e o Grão-Mestrado de todas foi concedida à coroa portuguesa pelo*** Papa Júlio III. Após a implantação da República, no início do século XX, esta honra passou para a presidência após uma um intervalo de 8 anos (1910-18). Acho isso ligeiramente estranho: o povo rejeitou a monarquia mas reteve os sinais de uma estrutura ainda mais antiga e ainda mais obscurantista, mas talvez faça sentido: demonstra a continuidade do estado português e a sua autoridade, apesar do afastamento da monarquia…?

A banda foi concedida a vários outros chefes de estado estrangeiro ao longo dos anos, incluindo Francisco Franco da Espanha, a Rainha Isabel II, Hailé Selassié da Etiópia, é o Rei Leopoldo III da Bélgica mas a partir de 1962, a banda passou a ser exclusiva do chefe de estado português.

*=I wrote this with a capital D but that’s a no-no.

**=natal with a lower case n is also a no-no. Or a No-No.

***=pelo, not por. Not “By Pope Francis”, but “By the Pope Francis”

Posted in Portuguese

A Crónica Dos Bons Malandros

Ontem à noite vi a última parte d’A Crónica dos Bons Malandros. A série estreou na RTP há um ano. É fixe / legal (há uma personagem brasileira e uma piada recorrente é o fingimento por parte de várias pessoas que não compreendem os sotaques de outras).

Há muuuuiiito calão na série e as personagens falam muito depressa* mas não faz mal porque há legendas que ajudaram-me** entender. Além disso, desenrola-se nos anos oitenta, portanto há muitas referências à cena daquela época: terrorismo, política, cultura, futebol e música pop. Aprendi muito por pesquisar várias palavras e frases.

Vi alguém a descrever a série como, e cito “Ocean’s Eleven à Portuguesa”. E acho que esta é uma descrição adequada, até certo ponto. Os protagonistas são menos competentes e a história inteira enfatiza o lado engraçado em vez de imitar o estilo do Clooney e Pitt, mas é suave na mesma. Gostei tanto quanto de uma série da Netflix, por exemplo.

*i used “rápido” but it’s describing the word “falam” which is a verb so we need an adverb, not an adjective.

**Another example where a change of mindset is needed, at least in my case I wrote ajudou instead of ajudaram. In English you’d just say “which helped”, and there isn’t a difference between single and plural versions of “helped” so i suppose I’d always thought of that as meaning “the fact (singular) that there were subtitles helped” but in Portuguese it’s a lot starker that no, actually, “the subtitles (plural) helped” so the verb has to be plural to match.

Posted in English

An Incident

I was interested in this passage from Maremoto, the book I finished the other day. In the passage, the protagonist, Boa Morte, is standing around near a bus stop when a guy he’s never met comes up and starts accusing him of stealing and generally giving him a hard time. Xingar is a good word here: to verbally abuse someone. O homem está a xingá-lo

Djaimilia Pereira de Almeida

“Chamou-me preto de Guinea, farrusco vai para a tua terra, escarumba eu sei lá que mais, aqui na rua há quem diga que pareço realeza, não sei se é verdade, o povo Cuanhama é conhecido pela sua majestade”

Maremoto – Djaimilia Pereira de Almeida

It’s obviously got a strong racial angle: preto being a word for black that is not exactly polite (“negro” is the more acceptable word). I’ve heard it described in a news program as the Portuguese equivalent of the N word, but it certainly doesn’t seem to be that, judging from the contexts I’ve seen it in. It definitely has a charge to it though. Likewise, Farrusco is related to skin colour, but its literal meaning is more like “sooty”. “Vai para a tua terra” means go back to your own country and Escarumba is just a general, derogatory term for a black person.

I was initially confused as to why he then goes on, in the second part of the sentence, to talk about royalty, but I was probably being stupid: he’s just turning the situation around. The guy haranguing him can only see his colour and is making all kinds of assumptions about him, but he says among people who know him better, he is considered to have a regal bearing. It seems quite a good way of dismissing the idiot as an irrelevant know-nothing.

When I asked about this online, quite a few people said it wasn’t necessarily a racist incident. Say what now? It’s true that the book doesn’t say for sure that the aggressor in the situation is white, but everything about the terms he’s using – three words in quick succession that make specific reference to Boa Morte’s skin colour – just make me think that the speaker doesn’t share that skin colour. I pointed this out, but the Portuguese peeps replied that there were rivalries and snobberies between black Portuguese people and Africans and then within the African community between different nationalities and tribal groupings and that it’s not unheard of for different groups to say ostensibly racist things to each other as a result. Nobody from within Portugal contradicted this point of view; nobody said it sounded like a racist incident. Every Portuguese person who expressed an opinion said it seemed ambiguous to them.

Mmweellll, I’m from outside the culture so I’m reluctant to flat out contradict them but I must say that gets a big 🤔 from me. If anyone else reading this knows the book, I’d love to hear how you read it and whether or not you agree.

Anyway, it all sounds a bit grim, doesn’t it, but Djaimilia Pereira de Almeida is a good enough writer that she can handle a pretty heavy subject with a lightness of touch. It’s quite a funny scene, believe it or not!

Posted in English, Portuguese

Rústica – Florbela Espanca.

I mentioned a few days ago that I was trying to memorise poems in both English and Portuguese. Well, today’s is a Portuguese one: Rústica by Florbela Espanca. As with so many of these poems, reading it through once a couple of years ago, I was my usual poetry-reading self: “Yes yes, very poetic. Next!” But now that I’m immersing myself in them, I’m starting to get the point of poetry. Here is the original:

Rústica

Ser a moça mais linda do povoado.
Pisar, sempre contente, o mesmo trilho,
Ver descer sobre o ninho aconchegado
A bênção do Senhor em cada filho.

Um vestido de chita bem lavado,
Cheirando a alfazema e a tomilho…
– Com o luar matar a sede ao gado,
Dar às pombas o sol num grão de milho…

Ser pura como a água da cisterna,
Ter confiança numa vida eterna
Quando descer à “terra da verdade”…

Deus, dai-me esta calma, esta pobreza!
Dou por elas meu trono de Princesa,
E todos os meus Reinos de Ansiedade.

Rústica, Florbela Espanca, from Charneca Em Flor

Florbela Espanca

There are a few unfamiliar words in it so I’ll have a go at translating it:

Rustic

To be the prettiest girl in the village
To walk contentedly on the same trail
To see descending on the cosy home*
The blessings of the Lord on every child 

A calico** dress, well-washed
Smelling of lavender*** and thyme 
With the moonshine quenching the thirst of the cattle****
Giving the doves the sun in a grain of corn

To be pure as the water in the cistern
To believe in a life eternal 
When I go down to the land of truth*****

God, give me this calm, the poverty
I’ll give them my princess throne
And all my kingdoms of anxiety

*=The word used in the original is “ninho” which means nest, but I think in this context its just a folksy way of saying home.

**=my paper dictionary says chintz, but I think chintz is made of calico (?) and that calico goes more with the vibe of the poem. But I’m not an expert in cloth, so I could easily be wrong.

***=I’ve been saying “lavandas” for lavender but I think that might be a brazilism because according to the wiki this is the word used in Portugal.

****=matar a sede means kill the thirst, literally, but quench seems better. And it’s not “a sede do gado” (the thirst of the cattle) but ao gado (to the cattle) , another example of Portuguese speakers using prepositions in a way that are just a little different to what an english speaker would expect.

*****=Descer in this sentence is the future subjunctive, not the infinitive, and I believe its “when I go down” not “when he/she/it goes down” but I can only get that from context since there no way of telling grammatically! I’m not sure what the land of truth means here either. If it’s heaven, why is she descending and not ascending? I’ve read the bible and spent a lot of time in church but this makes no sense to me I’m afraid.

Here’s an analysis I wrote of the poem, in Portuguese, for today’s writing challenge (thanks to Dani Morgenstern for the help)

O Poema de hoje é Rústica de Florbela Espanca. O poema fala do anseio da poeta por uma vida mais bucólica, numa aldeia onde ela seja “a moça mais linda” e o ar seja perfumado de ervas e flores.
Este desejo, esta saudade duma vida sem ansiedade e sem problemas é, no entanto, pouco realista porque a vida numa aldeia tem as suas próprias ansiedades e nem todas as moças podem ser a mais linda. Mas isso não contraria a mensagem do poema nem a vontade que todos nós temos de afastar-nos da vida moderna.
O poema tem quatro versos: dois de quatro linhas e dois de três, e tanto quanto sei, este padrão é muito comum na obra desta poeta. Usa imagens da natureza (o que é pouco surpreendente neste caso!) e temas religiosos. Aliás, a religião não é apenas um tema: a saudade da religião faz parte da saudade da vida simples. É como se Deus não tivesse poder nenhum na cidade e só soubesse tocar o coração de quem vive nalguma quinta.