Posted in English, Portuguese

Como É Linda

Carolina Deslandes is definitely growing on me. Her lyrics seem really well-crafted. Her voice doesn’t have the earth-shattering power of Sara Correia (the last portuguese singer I went to see), but she’s a different kind of singer and her voice works for the kind of music she’s making. I really like this one.

When I found the lyrics I saw they had transcribed it with “luta” in place of “puta”. You can find videos of her singing it that way on Rádio Comercial, but this video is bleeped out and I’m pretty sure they wouldn’t have bleeped luta, so I’m changing it back to what I think must be the original. Como é Linda a Puta de Vida is the name of a book by Miguel Esteves Cardoso, and I don’t know if she pinched the line from him or if it has older roots.

PortuguêsInglês
Esfolar os joelhos
A achar que sabia voar
Ignorar os conselhos
Que no fim nos iam salvar
Skinning your knees
And finding you don’t know how to fly
Ignoring the advice
That would save us in the end
Ser abandonada
Não ter onde arrumar o amor
Não querer saber de nada
E saber-te ao pormenor
Being abandoned
Not having a place to put love
Not wanting to know anything
And knowing yourself in detail
Como é linda e caótica
A puta da vida, amor
Vê lá bem a nossa sorte
Vê lá bem o nosso azar
Como é linda e caótica
A puta da vida, amor
Viver a fintar a morte
Hoje saímos pra dançar
It’s so beautiful and chaotic
The bitch of life, my love.
Just look at our good luck
Just look at our bad luck
It’s so beautiful and chaotic
The bitch of life, my love.
Living to trick death
Today we’re going out dancing
Partir o coração
Dar razão a quem nos avisou
Uma desilusão
Uma ferida que nunca sarou
Breaking your heart
Proving the people who warned us right
A disappointment
A wound that never healed
Ser traído, chorar
Desatar os nós da garganta
Querer esquecer e lembrar
Quando a saudade é tanta, tanta
Being betrayed, crying
Untying the knots in our throat*
Wanting to forget and remember
When there’s so, so much longing**
Como é linda e caótica
A puta da vida amor
Vê lá bem a nossa sorte
Vê lá bem o nosso azar
Como é linda e caótica
A puta da vida amor
Viver a fintar a morte
Hoje saímos pra dançar
It’s so beautiful and chaotic
The bitch of life, my love.
Just look at our good luck
Just look at our bad luck
It’s so beautiful and chaotic
The bitch of life, my love.
Living to trick death
Today we’re going out dancing

* Um nó da garganta is what english speakers would call “a lump in the throat”, so she’s talking about grief, panic or some other strong emotion

`**Should I even be translating “saudade” at this point?

Posted in English, Portuguese

Dois Dedos de Testa

I’m trying to get familiar with Carolina Deslandes’ back catalogue now that I have tickets to see her. When I reached “Dois Dedos de Testa” I was intrigued by the title, which means “two fingers of forehead”. What could it mean? I went down a few dead-ends when I researched it: the first site I found was explaining that having dois dedos de testa (ie, a forehead that’s more than two fingerwidths deep) was a sign of whether or not a fringe would suit you. But I was pretty sure the sing wasn’t about hair styling. I finally found this page which sums it up in the first line

Ter dois dedos de testa costuma ser sinónimo de gente inteligente, com boa cabeça

The scientists in this old ad for Tefal appliances were rocking a solid oito dedos de testa.

So I think that’s the relevant meaning: being clever, having common sense. I’m going to translate “ter dois dedos de testa” as “to be smart” in the lyrics for simplicity’s sake and because “to have two fingerwidths of forehead” would sound ridiculous.

The video also starts with “fátima futebol fado”, which was the Estado Novo’s equivalent to “bread and circuses”: the way of focusing the population’s attention away from thoughts of revolution. She changes it to one she likes better.

All in all, I really like the lyrics. Sometimes I do these translations and the lyric are baffling, sometimes they’re too easy, but I like that this had some mysteries that could be solved and led me to discover new things.

Dois Dedos de Testa
PortuguêsInglês
Ser mulher aqui é ser mulher de quem?
Ter um papel assinado pra ser alguém
Ser decente, quem se apresenta à mãe
Mesmo que o filho não valha a mulher que tem
Being a woman here means being who’s wife?*
To have a role assigned to be someone
To be decent, someone fit to meet your mother
Even though the son isn’t worthy of the woman he has
Ser mulher aqui é ser submissa
Rezar o terço, dizer sim e ir à missa
Não ter opinião, ser bonita
Ser tão nova quanto o estado e andar bem vestida
To be a woman here is to be submissive
Pray the rosary**, say yes and go to mass
Don’t have a opinion, be pretty
Be as young as the state*** and be well-dressed
E eu que tenho a liberdade debaixo dos braços
Tenho brasas a arder debaixo dos pés
Pus uma pedra sobre o meu passado
E se o que eu sou ofende quem és
And i who have freedom in my grip****
I have coals burning under my feet
I put a stone on top of my past*****
And if who I am offends, who you are
Deixa-me abanar a cabeça, põe mais vinho nesta mesa
Que eu, eu quero esquecer
Quero ser o centro da festa, o assunto da conversa
Eu, eu quero aparecer
Let me shake my head, put more wine on this table
Because me, I want to forget
I want to be the centre of the party, the subject of conversation
Me, I want to appear
Deixa-me abanar a cabeça, põe mais vinho nesta mesa
Que eu, que eu hoje faço um brinde
Quero ser dona da festa, tenho dois dedos de testa
Sou a voz e nem sou boa ouvinte
Let me shake my head, put more wine on this table
Because me, I want to make a toast
I want to be the mistress of the party, be smart
I’m the voice and I’m not a good listener
Foi deixada, abandonada
É carente e mal amada
Está tão triste e tão sozinha
Pobrezinha
She was left, abandoned
She was needy and barely loved
She’s so sad and so alone
Poor thing!
Sem apelido e sem marido
E de quem será o filho?
Está cansada, ela trabalha
Coitadinha, coitadinha
Without a surname, without a husband
And who’s child is it?
She’s tired, she works
Poor thing, poor thing!
Deixa-me abanar a cabeça, põe mais vinho nesta mesa
Que eu, eu quero esquecer
Quero ser o centro da festa, o assunto da conversa
Eu, eu quero aparecer
Let me shake my head, put more wine on this table
Because me, I want to forget
I want to be the centre of the party, the subject of conversation
Me, I want to appear
Deixa-me abanar a cabeça, põe mais vinho nesta mesa
Que eu, que eu hoje faço um brinde
Quero ser dona da festa, tenho dois dedos de testa
Sou a voz e nem sou boa ouvinte
Let me shake my head, put more wine on this table
Because me, I want to make a toast
I want to be the mistress of the party, be smart
I’m the voice and I’m not a good listener
E eu que tenho a liberdade debaixo dos braços
Tenho brasas a arder debaixo dos pés
Pus uma pedra sobre o meu passado
E se o que eu sou ofende quem és
And I who have freedom in my grip****
I have coals burning under my feet
I put a stone on top of my past*****
And if who I am offends, who you are
Deixa-me abanar a cabeça, põe mais vinho nesta mesa
Que eu, eu quero esquecer
Quero ser o centro da festa, o assunto da conversa
Eu, eu quero aparecer
Let me shake my head, put more wine on this table
Because me, I want to forget
I want to be the centre of the party, the subject of conversation
Me, I want to appear
Deixa-me abanar a cabeça, põe mais vinho nesta mesa
Que eu, que eu hoje faço um brinde (brinde)
Quero ser dona da festa, tenho dois dedos de testa
Sou a voz e nem sou boa ouvinte
Let me shake my head, put more wine on this table
Because me, I want to make a toast
I want to be the mistress of the party, be smart
I’m the voice and I’m not a good listener

* This sentence loses a lot of its cleverness in the translation, I think

**Catoliquices! Actually, strictly speaking, the Terço is just part of the rosary, I think. I hung out with a lot of catholics at uni so I more-or-less know what this is about but I’m a bit vague about the details. Here’s what o Santuário de Fátima has to say about it if you’re interested.

***Another one that loses some of its force in english – it’s another reference to the Estado Novo, if I read it correctly

****Debaixo do braço is a set phrase meaning grasped under the arm, next to the body, so I am picturing her holding liberdade like a rugby ball

*****This one smelled like an expression too. Most results return as “colocar uma pedra sobre” and “pôr” is less common but obviously scans better. You can find both on this page. I think we’re meant to imagine the stone as a paperweight you put on your work when you’ve finished writing or something. It means what we would now call “drawing a line under” the subject, basically, putting a full stop to the sentence.

Posted in English, Portuguese

Faz Faísca e Chavascal

Translation Time! I was drawn to this song because it has two words I don’t recognise in the title. They proved to be incredibly hard to translate. If you go directly from what Priberam says, the title means “It makes sparks and a barren wasteland” which obviously makes no sense. I asked around and the answers I got were

  1. Faísca is a light effect and Chavascal a sound effect
  2. Both are synonms for chaos and
  3. A pointer to this page, with the suggestion that definition 5 was the relevant one.

OK, so it’s noisy, chaotic. So… an explosion? Some sort of massive freak-out or general mayhem?

Next question: What the heck tense is it in? Portugal is very sparing with its national pronoun reserves, and it’s not totally clear whether “faz” is third person present (talking about the experience she’s having?) or second person imperative (telling you, the listener what to do). In other words is she saying “It makes sparks…” or “Make sparks!” I think the second, just because some of the lines don’t make sense otherwise. It brings confetti to the garden? How?

So assuming whatever faísca and chavascal mean they’re something that a human is capable of doing, I’ve gone with “Be flashy and make a scene”. I’m sure this is debatable but this seems like it follows a trend line through the available evidence and I hope I’m not too far wrong.

The actual music is a bit odd. The arrangement has a whiplash change of mood, going from sultry club jazz to cringey pop when it hits the chorus, and some of the camera work is quite shonky too, but never mind, here we go!

PortugueseEnglish
aaaaaahhh
acordo a tempo de chegar
ensaio o espaço e volto atrás
sem ver os tons a mudar
ooooohh, aaaaahhh
esperei sete ondas para saltar
clarões em branco e lilás
quem são os teus orixás?
pergunto
aaaaahhh
I wake up when it’s time to arrive
I study the space and turn back
Without seeing the tones change
Ooooohh, aaaaahhh
I wait seven waves before jumping
Flashes of white and lilac
Who are your idols*?
I ask
faz faísca e chavascal
got addicted, não tem mal
não és tu (não és tu…)
traz confettis pro quintal
com pitanga é carnaval
tudo cru, ooooohhh
faz faísca e chavascal
faz faísca e chavascal
got addicted, não tem mal
ooooohhhh
Be flashy and make a scene
Got addicted, don’t take it badly
It’s not you (it’s not you)
Bring confetti to the garden
With pitanga** it’s carnival
All raw, ooooohhh
Be flashy and make a scene
Be flashy and make a scene
Got addicted, don’t take it badly
ooooohhh
água na boca
vinho a compensar
nada no ombro
e nada pra falar
dá sempre pra duvidar
ou então largar as rosas no mar
Water in the mouth
Wine to compensate
Nothing on the shoulder
And nothing to sat
It always makes me doubt
Or even leave roses in the sea
faz faísca e chavascal
faz faísca e chavascal
traz a fruta tropical
faz o próprio carnaval
Be flashy and make a scene
Be flashy and make a scene
Bring the tropical fruit
make your own carnival
faz faísca e chavascal
got addicted, não tem mal
não és tu (não és tu…)
traz confettis pro quintal
com pitanga é carnaval
tudo cru, ooooohhh
Be flashy and make a scene
Got addicted, it’s not bad
It’s not you (it’s not you)
Bring confetti to the garden
With pitanga** it’s carnival
All raw, ooooohhh
faz faísca e chavascal
faz faísca e chavascal
got addicted, não tem mal
ooooohhhh
Be flashy and make a scene
Be flashy and make a scene
Got addicted, don’t take it badly
ooooohhh

*Specifically, an orixá is a representation of a minor divinity in the Yoruba religion

**Pitanga isn’t really a fruit we have in the UK, and the wiki page gives a few names, but since one of them is just “pitanga”, I’ve left this alone.

Posted in English, Portuguese

Não Há Estrelas No Céu – Rui Veloso

Translation time! I quite like this one, and it has some good expressions in it. It’s about how hard it is to be young. I checked, and in case you’re wondering he released it in 1990 when he was 33, so we’ll let it pass.

PortuguaêsInglês
Não há estrelas no céu a dourar o meu caminho
Por mais amigos que tenha, sinto-me sempre sozinho
De que vale ter a chave de casa para entrar?
Ter uma nota no bolso p’ra cigarros e bilhar?
There are no stars in the sky gilding my path
No matter how many friends I have I always feel alone
What’s the point of a housekey to get in?
Or a note in my pocket for cigarettes and billiards?
A primavera da vida é bonita de viver
Tão depressa o sol brilha como a seguir está a chover
Para mim hoje é janeiro, está um frio de rachar
Parece que o mundo inteiro se uniu p’ra me tramar
It’s beautiful to live in the springtime of life
As soon as the sun shines, straight away it rains
For me today is January, freezing cold
It seems like the whole world is conspiring against me
Passo horas no café sem saber para onde ir
Tudo à volta é tão feio, só me apetece fugir
Vejo-me à noite ao espelho, o corpo sempre a mudar
De manhã ouço o conselho que o velho tem p’ra me dar
I spend hours in the café, not knowing where to go
Everything around is so ugly I just feel like escaping
I see myself in the mirror at night, my body’s always changing
In the morning I hear the advice the old man has for me
A primavera da vida é bonita de viver
Tão depressa o sol brilha como a seguir está a chover
Para mim hoje é janeiro, está um frio de rachar
Parece que o mundo inteiro se uniu p’ra me tramar
It’s beautiful to live in the springtime of life
As soon as the sun shines, straight away it rains
For me today is January, freezing cold
It seems like the whole world is conspiring against me
Vou por aí às escondidas a espreitar às janelas
Perdido nas avenidas e achado nas vielas
Mãe, o meu primeiro amor foi um trapézio sem rede
Sai da frente, por favor, estou entre a espada e a parede
I’m going over there, secretly, to look in at the windows
Lost in the avenues and found in the alleys
Mother, my first love was a trapeze with no net
Get out of the way please, I’m between the sword and the wall*
Não vês como isto é duro, ser jovem não é um posto
Ter de encarar o futuro com borbulhas no rosto
Porque é que tudo é incerto, não pode ser sempre assim
Se não fosse o Rock and Roll, o que seria de mim?
You don’t see how hard it is, being young isn’t easy**
You have to face the future with a spotty face
Why is everything uncertain, it can’t always be like this
If it wasn’t for Rock and Roll, what wojuld become of me?
A primavera da vida é bonita de viver
Tão depressa o sol brilha como a seguir está a chover
Para mim hoje é janeiro, está um frio de rachar
Parece que o mundo inteiro se uniu p’ra me tramar
It’s beautiful to live in the springtime of life
As soon as the sun shines, straight away it rains
For me today is January, freezing cold
It seems like the whole world is conspiring against me
Não há estrelas no céu (não, não, não, não há)
Estrelas no céu (não, não, não, não há)
Estrelas no céu (não, não, não, não há)
Estrelas no céu (não, não, não, não há)
Estrelas no céu (não, não, não, não há)
Estrelas no céu…
There are no stars in the sky (no, no, no there aren’t)
Stars in the sky (no, no, no there aren’t)
Stars in the sky (no, no, no there aren’t)
Stars in the sky (no, no, no there aren’t)
Stars in the sky (no, no, no there aren’t)
Stars in the sky…

*Nice expression! Obviously an equivalent of “between a rock and a hard place”

**The translation is simplified, I think: as far as I can tell, “ser x não é um posto” is a way of saying it isn’t just an easy job that comes naturally, implying you really have to be worthy, or to work hard for it. See here for example, or here.

Posted in English

Tradução

As I’ve probably said, I’m a bit of a philistine when it comes to poetry, but the book I am reading on-and-off at the moment, “atirar para o torto” by margarida vale de gato* “dá água pela barba” and my dictionary is taking a real beating. Translating this one in full because there are so many unknowns in it that I lost track. Words outlined in orange are the ones I had to look up

This galaxy will soon be a glowing coal
Our earth sparks - I think this
In the environ** of the street, feeling faint
Words beating in my head
About the cone*** of this planet - oh
warming marble with only one iris****
Fertilising the egg of the moon, steep
curdled, wounded
***** red.
I'm going
when i arrive to lock myself out, key
inside, to sleep with the beasts in the dew
and just one bottle - I ought to break it
by the neck to heal
with a ruby in my mouth and anaesthesia
the bluff or another apocalypse

Incidentally, I happened upon a thesis published online where the author cites this poem in full as evidence of “an apocalyptic tone adopted recently in portuguese poetry”

*Should be in title case, I know, but she writes it in lower case on the cover so maybe it’s deliberate, I dunno.

**This is a pretty terrible translation since enlevo is more like enchantment, rapture, that kind of thing but I can’t quite find an english word that works in context. This is why I am not a professional translator!

***Another surprising one. The umbra and penumbra of an eclipse form cones, so she might be referring to that but it’s not clear to me

****I want “iris” to mean the little squiggle of colour inside an old-school marble, but I don’t see any evidence of that online.

*****Coalho was the only word I really didn’t know but it’s hard to see what she’s getting at here. Ingreme usually means steep but can be a high point, coalho means coagulate but can also be a thistle flower of all things. So maybe she means the blood moon looks like a thistle high up in the sky…. nah… i don’t see it.

Posted in English, Portuguese

Foram Cardos, Foram Prosas

Another translation!

I got curious about this because it was covered by Amor Electro on one of the albums I listened to a few weeks back, and although I knew most of the songs they’d done, I’d never heard of this or even of the artrist who performed it originally so I sought it out. Disappointing, to be honest. It feels very dated and uninspiring. I actually liked the cover version better.

PortugueseEnglish
Há luz sem lume aceso
Mas sem amar o calor
Há flor de um fogo preso
Há luz do meu claro amor
There is a light without a flame
But without loving the heat
There is a flower of a captive fire
There is a light of my clear love
Há madressilvas aos pés
E águas lavam o rosto
Dedos que tens em resvés
Ó meu amante deposto
There are honeysuckles at your feet
And waters wash your face
Fingers you have, so close
Oh my former lover
Não foram poemas nem rosas
Que colheste no meu colo
Foram cardos, foram prosas
Arrancadas do meu solo
There were no poems or roses
That you picked in my lap
They were thistles and prose
Uprooted from my soil
Porque tu ainda me queres
O amor que ainda fazemos
Dá-me um sinal se puderes
Sejamos amantes supremos
Because you still love
Yje lobe we still have
Give me a signal if you can
Let’s be supreme lovers
Será sempre a subir
Ao cimo de ti
Só para te sentir
It wlll always be rising
Above you
Just to feel you
Será no alto de mim
Que um corpo só
Exalta o seu fim
It will be above me
Because just one body
Exalts at its end
Posted in English, Portuguese

Diabo na Cruz – Vida de Estrada

OK, well this is one of the bands I listened to the other day and liked enough to want to dive into their lyrics. It’s not an easy one because a lot of it is lists of things and events, like the lists in “Its the End of the World as we Know It” by REM or “We Didn’t Start the Fire” by Billy Joel and I am pretty sure I am missing some of the references. I’ll put links on the ones I recognise because it’s probably easier than writing 30,000 words of footnotes. Speaking of feet, there’s a really excellent live video out there and teh lead singer has a cast on his ankle, so well done him for not calling in sick that day!

🇵🇹🇬🇧
Siga em fila vai
Nove emprego cinco sai
Quinto império do atalho
Bomba, escola, pão, talho
Form a line, go
Nine employed, five leave
Fifth empire by a shortcut
Bomb, school, bread, meat
Trívia e televisão
Aurora do quadrilião
No ar um cheiro a esturro
Bom pró esperto, mau pró burro
Trivia and television
Glow of the quadrillion
In the air a smell of burning
Good for the smart, bad for the stupid
Perto, tão perto do oásis no deserto
Longe, tão longe de ir lá hoje
Mora, demora
O que é bom nunca é pra agora
Quem me dera ir daqui pra fora
Close, so close to the oasis in the desert
Far, so far from getting there today
Lay, delay
What is good is never for now
I wish I could get out of here and away
Trânsito no Jamor
A ouvir notícias do terror
Troika, bolha imobiliária
É cara a vida e a pensão precária
Traffic on the Jamor
Hearing news of terrorism
The Troika, a property bubble
Life is expensive, and pensions at risk
Água, cabo, net
Luz, ginásio, yoga, creche
IUC, IMI, IRS
Paga paga, esquece esquece
Water, cable, internet,
Lighting, gym, yoga, creche,
IUC,IMI,IRS
Pay, pay, forget, forget
Fraco tão fraco o sol neste buraco
Boa, tão boa a vida boa
Mora, demora
O que é bom nunca é pra agora
Quem me dera ir daqui pra fora
Weak, it’s so weak, the sun in this hole
Good, so good, the good life
Lay Delay
What is good is never for now
I wish I could get out of here
Mergulhar mãos no volante e adiante
Pra qualquer lugar
Vidro aberto, rádio alto, no asfalto
Sem me apoquentar
Saborear o mar, as serras
Cobrir-me de pó e geada
Roer o osso desta terra
Na vida de estrada
Grab the steering wheel and go
To anywhere
Window open, radio loud, on the asphalt
Without fear
To enjoy the sea, the mountains
get covered in dust and frost
Chew the bones of this land
In life on the road
Sismo no Japão
Zara, nova coleção
Espionagem, guerra, muda o tema
Woody Allen no cinema
Earthquake in Japan
Zara, new collection
Espionage, war, change the subject
Woody Allen at the cinema
Zapping e jornal
Série e logo futebol
O vizinho num concurso
A fazer figura de urso
Channel-hopping and news
Series and then football
The neighbour in a competition
To act like an idiot
Chato, tão chato papar grupo barato
Oco, tão oco o circo louco
Mora, demora
O que é bom nunca é pra agora
Quem me dera ir daqui pra fora
Annoying, so annoying, support cheap group*
Hollow, so hollow, the crazy circus
Live, delay
What is good is never for now
I wish I could get out of here
Mergulhar mãos no volante e adiante
Pra qualquer lugar
Vidro aberto, rádio alto, no asfalto
Sem me apoquentar
Saborear o mar, as serras
Cobrir-me de pó e geada
Roer o osso desta terra
Na vida de estrada
Grab the steering wheel and go
To anywhere
Window open, radio loud, on the asphalt
Without fear
To enjoy the sea, the mountains
get covered in dust and frost
Chew the bones of this land
In life on the road
Onde não há prazos nem obrigações
Não há debates nem euromilhões
Onde o sol eleva e a frescura acata
Sem consulta ao homeopata
Onde a cura é sem vacina
E a cardina é sem pesar
Por lagoas e colinas
Vê-se a lágrima a secar
Dá o vento na cara
E nada nos pára
Nada nos pára
Where there are no deadlines or obligations
No debates, no euromillions
Where the sun lifts you and the coolness follows you
Without an appointment with the homeopath
Where the cure doesn’t take a vaccine**
And the grime doesn’t weigh you down
Through lakes and hills
Feel the wind in your face
And nothing will stop us
Nothing will stop us
Perto, tão perto do oásis no deserto
Longe, tão longe de ir lá hoje
Mora, demora
O que é bom nunca é pra agora
Quem me dera ir
Quem me dera ir daqui
Quem me dera ir daqui pra fora
Close, so close to the oasis in the desert
Far, so far from getting there today
Delay, delay
What is good is never for now
I wish I could get out
I wish I could get out of here
I wish I could get out of here and away
Mergulhar mãos no volante e adiante
Pra qualquer lugar
Vidro aberto, rádio alto, no asfalto
Sem me apoquentar
Saborear o mar, as serras
Cobrir-me de pó e geada
Roer o osso desta terra
Na vida de estrada
Grab the steering wheel and go
To anywhere
Window open, radio loud, on the asphalt
Without fear
To enjoy the sea, the mountains
get covered in dust and frost
Chew the bones of this land
In life on the road

*best guess is that he’s saying you should support independent artsists

**They broke up in 2019, in case you were wondering if this was some sort of covid reference

Posted in English, Portuguese

Fado Português

A tradução de hoje é “Fado Português”. Se Amália cantou alguma canção, acho que convém usar a versão dela como base duma tradução, mas não existe um vídeo dela a cantar esta, e olha, a versão de Sara Correia é ótima, então porquê é que estás a resmungar? Vi-o na app Lingoclip, que estou a usar diariamente. Para ser sincero, é frustrante. Prefiro usá-la no modo especialista porque é mais fácil digitar tuuuuudoooo do que andar de um lado para o outro entre as letras e as opções, mas é preciso ter dedos extraordinariamente rápidos! Mas um fado é mais fácil do que um rap, portanto, se gostares de experimentar, recomendo que comeces com algo deste género.

PortuguêsInglês
O Fado nasceu um dia
Quando o vento mal bulia
E o céu o mar prolongava
Na amurada dum veleiro
No peito dum marinheiro
Que, estando triste, cantava
Que, estando triste… cantava
Fado was born one day
When the wind was barely stirring
And the sky held back the sea
On the hull of a sailing ship
In the breast of a sailor
Who, being sad, was singing,
Who, being sad, was singing.
Ai, que lindeza tamanha
Meu chão, meu monte, meu vale
De folhas, flores, frutas de oiro
Vê se vês terras de Espanha
Areias de Portugal
Olhar ceguinho de choro
Oh so much beauty
My ground, my mountain, my valley
With leaves, flowers and golden fruit
See if you see the lands of Spain,
Sands of Portugal
Vision nearly blind from crying
Na boca dum marinheiro
Do frágil barco veleiro
Morrendo a canção magoada
Diz o pungir dos desejos
Do lábio a queimar de beijos
Que beija o ar e mais nada
Que beija o ar… e mais nada
In the mouth of a sailor
Of the fragil sailing boat
The tortured song, dying
Tell of the torment of desires
From the lip burning with kisses
That kisses the air and nothing else
That kisses the air and nothing else
Mãe, adeus, adeus, Maria
Guarda bem no teu sentido
Que aqui te faço uma jura:
Que ou te levo à sacristia
Ou foi Deus que foi servido
Dar-me no mar sepultura
Goodbye mother, goodbye Maria
Remember what you see and hear*
That here I make an oath
That I will either take you to the sacristy
Or it was God that served me
By giving me a grave in the sea
Ora eis que embora outro dia
Quando o vento nem bulia
E o céu o mar prolongava
À proa doutro veleiro
Velava outro marinheiro
Que, estando triste, cantava
Que, estando triste, cantava
Well so it was that the next day
When the wind was hardly stirring
And the sky held back the sea
At the prow of another sailing ship
Sailed another sailor
Who, being sad, was singing,
Who, being sad, was singing.
Ai, que lindeza tamanha
Meu chão, meu monte, meu vale
De folhas, flores, frutas de oiro
Vê se vês terras de Espanha
Areias de Portugal
Olhar ceguinho de choro
Oh so much beauty
My ground, my mountain, my valley
With leaves, flowers and golden fruit
See if you see the lands of Spain,
Sands of Portugal
Vision nearly blind from crying

*Not very literal at all but I couldnºt make it make sense if I did it word for word.

Posted in Portuguese

Free Buarquing

Já publiquei uma tradução de outra canção de Chico Buarque, mas ouvi falar desta em relação às comemorações do aniversário da Revolução dos Cravos. Hum… não me sinto grande fã deste artista, mas cada vez que escuto com mais atenção uma música dele, adoro-a e aprendo muito. Acho que chegou a hora de ouvir os seus discos todos.

(Ah ah ah, discos, sim, escute os seus discos, avô, nós estamos a ouvir no Spotify)

“Tanto Mar” é uma música que ilustra certas coisas sobre a época e sobre a relação entre os dois países, Portugal e o Brasil. Existem duas versões na Internet, e eu pensei, “está bem, a segunda é uma gravação nova da mesma canção”. Mas não é! O cantor escreveu a primeira versão em 1975, um ano depois da revolução e dedicou-a ao povo português – ou melhor, à revolução em si. Naquela altura, o Brasil também estava em plena ditadura militar (um governo que permaneceu em vigor desde 1964 até 1985), portanto a revolução no país menor deu motivo para esperança no maior. As letras refletem aquela esperança mas por isso mesmo, foram censuradas pela ditadura brasileira.

A segunda versão foi lançada 3 anos depois, em 1978, mas desta vez com letra atualizada. Existe um sentimento agridoce perante a crise de 25 de Novembro, o enfraquecimento dos objetivos da revolução e a realidade que a passagem dos anos trouxe. Mas apesar de tudo, a esperança é ainda evidente.

Em baixo, traduzi as duas versões. Gosto da simplicidade da poesia. Um escritor menos talentoso teria tentado escrever algo maior, e teria enchido cada verso de sentimentalismo e cliché, mas esta letra é curta e limpa e não tem uma única palavra a mais.

Just a reminder, obviously, this is in PT-BR, so in case anyone is avoiding brazilian accents on their learning journey, allow me to sound the 📢#BRAZILIANPORTUGUESEKLAXON📢 as a warning.

PortuguêsInglês
Sei que estás em festa, pá
Fico contente
E enquanto estou ausente
Guarda um cravo para mim
I know you’re having a party, man
I’m glad
And while I’m away
Save a carnation for me
Eu queria estar na festa, pá
Com a tua gente
E colher pessoalmente alguma flor
No teu jardim
I wanted to be at the party, man
With your people
And pick a flower in person
in your garden
Sei que há léguas a nos separar
Tanto mar, tanto mar
Sei também quanto é preciso, pá
Navegar, navegar
I know there are miles* between us
So much sea, so much sea
And I know how much we’d have to
Navigate, navigate**
Lá faz primavera pá
Cá estou doente
Manda urgentemente
Algum cheirinho de alecrim
It’s spring there, man
Here, I’m sick
Send, urgently, some
Fleeting scent of rosemary
PortuguêsInglês
Foi bonita a festa, pá
Fiquei contente
Ainda guardo renitente
Um velho cravo para mim
It was a great party, man
It made me happy
I still hold stubbornly
An old carnation for myself
Já murcharam em tua festa, pá
Mas certamente
Esqueceram uma semente
Em algum canto de jardim
The (flowers) withered at your party man
But certainly
They left a seed
In some corner of the garden
Sei que há léguas a nos separar
Tanto mar, tanto mar
Sei também quanto é preciso, pá
Navegar, navegar
I know there are miles* between us
So much sea, so much sea
And I know how much we’d have to
Navigate, navigate**
Canta a primavera, pá
Cá estou carente
Manda novamente
Algum cheirinho de alecrim
Sing the spring, man
Here I am in need
Send me again
Some fleeting scent of rosemary

* =Léguas is more like leagues but it would sound confusing in english so I fudged it

**Maybe I should have fudged this one too: naveger is much more specifically about travelling in a ship, as opposed to english where it’s more like “finding your way”

Posted in English, Portuguese

Grito

I thought I’d have a go at translating this year’s eurovision entry into english. I can’t say the experience of reflecting on the lyrsics really made me like it more, I’m afraid… It’s OK, but it’s not getting me excited.

PortuguêsInglês
Ouvi, senti, o corpo a carregar
Seguimos assim, um e outro, um e outro, um e outro
Sou queda livre, aviso quando lá chegar
Entrego-me aqui, pouco a pouco
I heard, I felt my body charging up
We carry on like this, one and another, one and another, one and another
I am freefall, I’ll tell you when I get there
I deliver myself here, little by little
Passo largos, presa na partida
Quero largar o que me deixou ferida
Peço à estrela-mãe que faça o dia nascer de novo
E entregue à coragem que ainda arde, ainda arde
Bate a luz no peito e abre
Sou chama que ainda arde, ainda arde, ainda arde
Big steps, caught at the departure
I want to let go of what left me wounded
I ask the mother star that she makes dawn come again
And surrender to the courage that still burns, still burns
Let the light strike my chest and open
I am flame that still burns, still burns, still burns
Hoje eu quero provar a mim mesma
Que posso ser o que eu quiser (que eu quiser)
Juntar quem me quer bem numa mesa
Perdoar quem me quis ver sofrer
A mim não me enganam (não, não)
Eu sou todo o tamanho (sou)
Ainda lembro quando era pequena
Eu sonhava primeiro
Today I want to prove to myself
That I can be what I want (what I want)
Bring together those who love me at a table
Forgive those who want to see me suffer
They won’t fool me (no, no)
I am gigantic
I still remember when I was small
I used to dream first
Passo largos, presa na partida
Hoje eu largo aquilo me deixou ferida
E peço à estrela-mãe que faça o dia nascer de novo
E entregue à coragem que ainda arde, ainda arde
Bate a luz no peito e abre
Sou chama que ainda arde, ainda arde, ainda arde
Big steps, caught at the departure
I want to let go of what left me wounded
I ask the mother star that she makes dawn come again
And surrender to the courage that still burns, still burns
Let the sun strike my chest and open
I am flame that still burns, still burns, still burns
Sou chama que ainda arde, ainda arde
Sou chama que ainda arde, ainda arde
Arde, arde, arde
Transformei cada verso de mim
E entregue à coragem que ainda arde, ainda arde
Bate a luz no peito e abre
Sou chama que ainda arde, ainda arde, ainda arde
I am flame that still burns, still burns, still burns
I am flame that still burns, still burns, still burns
burns, burns, burns
I transformed every one of my verses
And surrender to the courage that still burns, still burns
Let the light strike my chest and open
I am flame that still burns, still burns, still burns