Posted in English, Portuguese

Anda Estragar-me Os Planos – Salvador Sobral

Spotify keeps recommending this song to me, and it’s a great choice! It’s worth noting before we start that the title is an example of a very ambiguous sort of portuguese sentence. Of course we’re used to having no subject pronoun, and but the tu form of the imperative tense usually overlaps with the ele/ela form of the present tense, meaning you could translate this as a statement “She/he/it keeps messing up my plans” or as an instruction, “Keep messing up my plans!” Since love songs addressed to an individual are more common than songs complaining about minor annoyances, I generally read it as the latter, but I haven’t listened closely enough to really know for sure

PortugueseEnglish
Ah faltam-me as saudades e os ciúmes
Já, tenho a minha conta de serões serenos
Quero é ir dançar
I’ve lost all my sorrows and my jealousies
I’ve had my share of quiet nights in*
I just want to go dancing
Sei por onde vou
É o melhor caminho
Não deixo nada ao acaso
Por favor, anda trocar-me o passo
I know where I’m going
It’s the best path
I’m leaving nothing to chance
Please, trip me up**
Tenho uma rotina
Pra todos os dias
Há de durar muitos anos
Por favor, anda estragar-me os planos
I have a routine
For every day
It’ll probably go on for years
Please, mess up my plans
Tira os livros da ordem certa
Deixa a janela do quarto aberta
Faz-me esquecer que amanhã vou trabalhar
Take my books out of their order
Leave the bedroom window open
Make me forget that I’m going to work tomorrow
Ah, faltam-me as saudades e os ciúmes
Já, tenho a minha conta de serões serenos
Quero ir dançar
I’ve lost all my sorrows and my jealousies
I’ve had my share of quiet nights in
I just want to go dancing
Um, dois…
Ah, faltam-me as saudades e os ciúmes
Já, tenho a minha conta de serões serenos
Tardes tontas, manhãs mecânicas
Eu quero é ir dançar
One two,
I’ve lost all my sorrows and my jealousies
I’ve had my share of quiet nights in
stupefied afternoons, predictable mornings
I just want to go dancing

*Serão doesn’t come up often as a noun, it’s more usually the third person plural future tense of ser, but it’s usually some kind of nocturnal activity – a party or some night time work. I’ve gone for translating serão serena as “quiet night in” because it makes the most sense in the context of the following line.

**Wow, “trocar-me o passo” seems hard to translate. In fact, I could probably break this footnote out into a whole blog, but… Anyway, literally, he’s saying “change my step”, but what could he mean? Well I checked Priberam and it certainly isn’t the same as “e troca o passo”, which is just a way of talking about decades when you don’t know the specific year. As I see it it can only be one of two things (1) something like “shake me up” or snap me out of my routine; based on the preceding lines, he says he has carefully planned everything out, but he wants the person he’s singing to to cause him to do something completely different, walk a different path, or just generally throw him off balance or (2) based on the fact that he’s going dancing and passo can mean a dance step as well as a walking step, maybe he’s saying he wants to trade dance steps with her – in other words, he’s just saying “dance with me”. And I guess there’s a third option (3) both: it’s intended to have a double meaning. I think I’m leaning towards option 3. It sounds like the main meaning of the expression is meaning 1, but he likely chose it for its proximity to dancing. I can only find one other place on the internet where the same expression is used in the first person, and it’s in a poem called Forte on this page, and it definitely sounds like it fits definition 1.

Troca-me o passo,
Faz uma revolução,
Põe o mundo inteiro em convulsão…

and there’s another example in the third person in this story about Ella Fitzgerald and Duke Ellington in Lisbon

Ella não queria entrevistas. Por isso fugiu para o carro que a aguardava. Mas o repórter trocou-lhe o passo. E a conversa começou fria, sem balanço nem ritmo

This doesn’t sound quite as earth-shattering but there’s definitely a sense that the reporter has interfered with her plan to escape.

Swapping the tense I get a few more hits including a whole song about it (but without an indirect object) and this page which mentioned the Priberam definition but adds

A expressão também pode ser utilizada literalmente e significar trocar de pé, para acertar ou desalinhar o passo com outra pessoa.

and just to bring it full circle, this is again in the context of dance! So I googled trocar de pé and came up with a couple of videos of shuffle dance tutorials but also podiatrists, people worried about tripping on escalators and all sorts of things!

Oh well, it might be that I can never be fully certain about the exact meaning but it seems pretty clear in the context of the wider song, what he’s driving at! I’ve opted for “trip me up” because it seems the closest equivalent, being both foot-based and also an invitation to cause problems.

Posted in Portuguese

Lara Martins

I thought I’d published this ages ago but then when I went to look for it I couldn’t find it, so here you go, slightly late. It’s a two-parter. I wrote one text before the concert and a second after. There are notes at the bottom about some of the corrections

Lara Martins at St Paul's Church Covent Garden
Lara Martins at St Paul’s Church Covent Garden

Hoje à noite (à hora de jantar, especificamente*) haverá um concerto da Lara Martins na igreja de São Paulo em Covent Garden. A Lara é uma atriz e cantora que protagonizou a Carlota no espectáculo The Phantom of the Opera (o Fantasma da Ópera) durante muitos anos. Uma vez que sou membro da Sociedade Anglo-Portuguesa cá em Inglaterra posso entrar sem pagar (mas paguei na mesma com uma doação porque os teatros precisam de dinheiro depois da pandemia)
A cantora vai apresentar o seu novo disco, “Canção” no qual ela canta duas músicas de Daniel Bernardes, as Treze Canções de Amor de Camargo Guarnieri (também em português pois é brasileiro) e mais quatro (quatro!!!) em espanhol, escritas por um argentino chamado Astor Piazolla. Vou levar alguns trapos comigo para enfiar nos ouvidos** e tapá-los quando ela cantar noutra língua.

~~~~~~~~~~~~~~~~

Fui ver um concerto ontem à noite. Cheguei cedo ao*** centro da cidade e andei à procura de comida. A certa altura****, durante este processo de obter alimentos, perdi o meu livro mas não me apercebi do vazio no meu bolso até mais tarde.
Enquanto um rato ia mordiscando o meu livro perdido num beco qualquer eu cheguei à igreja onde encontrei uma mulher diante da porta. Era a própria Lara Martins!
O concerto foi fixe. Ela cantou com o compositor Daniel Bernardes, entre outros. Fiquei tão feliz por estar num evento público assim com outras pessoas (apesar de sermos poucos e estarmos bem separados!) Foi organizado pela sociedade Anglo-Portuguesa. A voz da Lara***** é incrível, a música bonita, e a igreja/sala de concertos lindíssima.

* =Meh, well it was my dinner time, although the corrections pointed out that Portuguese people tend to eat later, and restaurants open later, so if you arranged to meet “at dinner time” you’d probably miss each other by an hour or two.

**=I wrote “nos meus ouvidos” but you have to say “stick them in the ears” not “stick them in my ears” in Portuguese

***=Another unexpected preposition change: I always want to arrive in the centre of town but in Portuguese you arrive at the centre of town.

****=I wrote “algures” like we might say, in a slightly informal style, when describing a series of events “somewhere in there I lost my book”. I should have known this would be wrong.

*****=I wrote “a sua voz” but of course, the way Portuguese possessive work, it sounded like I was saying “the Anglo Portuguese Society’s voice” because it follows straight after a sentence referring to the organisers. I can’t even fix it by saying “a voz dela” because society is feminine and singular too. Gah! I suppose I really should have got my thoughts in better order, but failing that, I just have to be more specific and say “Lara’s voice”